Wednesday, February 27, 2008

N(as)igger

Nas upcoming album, "Nigger," is set to release on April 22.









1. Intro
2. Black Legends
3. Rest In Peace
4. You A Nigger Too
5. The Fear Of A Black Man’s Dick
6. I’m Blessed
7. The Truth
8. Realise
9. Just Memories
10. This Way (featuring Jay-Z)
11. Kisses & Hugs (featuring Kelis)
12. Based On A True Story (featuring The Game)
13. Take A While
14. Nigger
15. Publicity (bonus track)

Friday, October 26, 2007

Call for Paper: Imagining the Black Female Body

Text and Contexts in Literature and Culture

Hortense Spillers said it best when she proclaimed: Let’s face it. I am a marked woman, but not everybody knows my name. ‘Peaches,’ and ‘Brown Sugar,’ ‘Sapphire’ and ‘Earth Mother,’ ‘Aunty,’ ‘Granny,’….or ‘Black Woman at the Podium.’ I describe a locus of confounded identities, a meeting ground of investments and privations in the national treasury of rhetorical wealth. My country needs me, and if I were not here, I would have to be invented. Spillers’ posturing points to the complex and delicate challenges black women encounter in the minefield of mental, spiritual, and cultural “codings” that, as Spillers stresses, create markers of identity so loaded with mythical prepossession that there is “no easy way for the agents buried beneath to come clean.”

But what is it about black women’s identity that makes them marked women? What is it about their presence—their essence—that makes them a threat in some social circles? Much of this uneasiness can be traced to the tension that exists between the real and imagined properties of black womanhood that circulate in America’s Grammar book (borrowing from Hortense Spillers). This book, a virtual roadmap of the history that has created and sustained the false imaginings of a culture bent on promoting whiteness and its privileges, distorts the ideal of black womanhood.

What this volume proposes to do is explore the various “imaginings” of the black female body in print and visual culture, sports, America’s iconic landscape (i.e. the mammy figure and the video vixen), politics, and law. Contributors can also write on literature, science, music, photography, or the fashion industry. Papers should discuss not only how this black female body is framed, but also how black women (and their allies) have sought to write/rite themselves back into these social discourses on their terms. It is my hope that this volume will create a dialogue with other outstanding volumes on the black female body.

If you are interested in being a part of this book, please forward to me an abstract by January 15, 2008. Entire papers will be due by September 1, 2008. You can send your abstract via email to ceh@udel.edu. Or you may send your abstract by landmail to:

Dr. Carol E. Henderson
Associate Professor of English and Black American Studies
212 Memorial Hall
University of Delaware
Newark, DE 19716.

Monday, October 15, 2007

Hip Hop Jam

We seek engaging and accessibly written essays for a proposed edited collection of close analyses of hip hop music. Tentatively titled, The Hip Hop Jam: Messages and Music, this collection examines hip hop music from multiple micro-level, up-close perspectives. We seek to help the music and its messages come alive one song at a time.

Each submitted essay should focus on one song by any artist in any hip hop musical genre. We welcome submissions from scholars across disciplines that apply their tools of interpretation, their ways of reading and listening, to the analysis of one song each.

Each close reading should examine lyrical and/or musical form and content in detail as well as consider how history, gender, sexuality, race, class, political, geographical, religious, and/or economic issues inform the song. Essays should be free of esoteric discipline-specific argot. Aim for an undergraduate readership. The goal is to illuminate what can be made of the rich complexity of hip hop music if one stops and takes the time to listen and to analyze.

Authors should submit an abstract of 250 words and a CV by December 15, 2007. The abstract should contain the author’s name, contact information, and the working title of the proposed analysis. Proposed manuscripts should be original work not concurrently submitted elsewhere. Only electronic submissions will be accepted. Accepted authors will be notified by January 31, 2008. Ten to twelve page MLA formatted manuscripts will be due on May 31, 2008.

Abstracts and inquiries should be forwarded to the Hip Hop Jam Editorial Board: Ebony Utley, Jordan Smith, Christina Zanfagna, and Loren Kajikawa at hiphopjam08@gmail.com.
Email: hiphopjam08@gmail.com
Quote of the Week

If I didn't define myself for myself, I would be crunched into other people's fantasies for me and eaten alive

Audre Lorde

Event of the Week
KU Press Release

Civil rights leader, congressman to receive Dole Leadership Prize

LAWRENCE — Legendary civil rights activist U.S. Rep. John Lewis, D-Ga., will receive this year’s Robert J. Dole Leadership Prize from the Dole Institute of Politics at the University of Kansas. Roll Call magazine has called Lewis “a genuine American hero and moral leader who commands widespread respect in the chamber.”

The program takes place at 7:30 p.m. Sunday, Oct. 21, at the Lied Center. Tickets are required but are free.
(click here for more info)

Goal of the Week:
Undergraduates!!!
It is time for midterms. Most of you have probably taken your exams and many of you are recovering from them as I type this message. Your challenge for this week is to make an appointment with 2 or more of your professors and discuss your progress. If you are having a rough time in class, this is the time address your strategy for the remainder of the semester. This is your second chance (should you need it) so take the initiative and be progressive.

Peace

Friday, October 05, 2007

KU Libraries receives grant to help fund jazz programs

LAWRENCE — The Thomas Gorton Music and Dance Library at the University of Kansas has received a grant from the National Endowment for the Humanities to present a series of six jazz programs in partnership with the Lawrence Public Library. All of the events are free and open to the public.

“Looking at Jazz: America’s Art Form” is a video-and-discussion program for libraries that examines the development of this uniquely American musical genre. Every Friday for six weeks, different jazz topics will be explored through documentaries and expert panel discussions. Faculty members from KU’s Interdisciplinary Jazz Studies Group will lead discussions following each film.

Dates and topics of discussion:

Oct. 5 — New Orleans and the Origins of Jazz
Oct. 12 — The Jazz Age and the Harlem Renaissance
Oct. 19 — Jazz Vocalists
Oct. 26 — The Swing Era
Nov. 2 — Jazz Innovators: From Bebop, to Hard Bop, to Cool and More
Nov. 9 — Latin Jazz and International Jazz

Each event will take place at 7 p.m. at the auditorium in the Lawrence Public Library, 707 Vermont St.

Recordings and other materials from the Gorton Music and Dance Library and the Sound Archive will be on display at each of the events. George Gibbs, head of the Gorton Music and Dance Library, said he hopes the programs will alert the public to the extensive jazz collections the library holds.

“We are incredibly fortunate to have one of the most comprehensive jazz archives in the Midwest right here at KU,” he said. “I hope that these programs will shed light on this amazing collection and on the art form itself.”

The programs will be presented by Re:New Media in collaboration with the American Library Association and Jazz at Lincoln Center, with major funding from the National Endowment for the Humanities. An application submitted by the KU Libraries brought the program to Lawrence.

The Gorton Music and Dance Library contains more than 111,000 scores, books, sound recordings, videos, microforms and serials. It has the leading music collection in the Great Plains region.

-30-

The University of Kansas is a major comprehensive research and teaching university. University Relations is the central public relations office for KU's Lawrence campus.

Oh, Lino Graglia...You Bitch!!!

I'm writing this in retrospect, and I don't feel very secure that I'll remember what I wanted to say well enough to express my disgust sufficiently enough, but I'll try.

Yesterday, 4 October 2007, Professor Lino Graglia from the University of Texas, a constitutional law professor, was invited to lecture on the horrors of Affirmative Action by the Federalist Society of the University of Kansas. That nigga is a bigot! I generally try to conserve such accusations for those who might be offended by such suggestions. Lino Graglia, perhaps, would not care about being labeled as such. Anywho, I wouldn't be fair if I didn't at least give a brief synopsis of his arguments:

"Affirmative Action...blacks...blacks...blacks...blacks...blacks...blacks...blacks...blacks...racial preference...blacks...blacks...blacks...Italians...blacks...blacks...blacks in the 12th grade at the level of 8th grade whites...blacks...blacks...blacks..."


If you haven't caught my first complaint, it's the abnormal fixation upon blacks. Gragley justified his obsession in the question and answer section by stating that "if it weren't for blacks (whining?) there would be no affirmative action." He then went on to say that Latinos and Asians merely jumped on the race preference bandwagon after schools began to develop programs for blacks.

Gragley's central argument was that blacks in the 12th grade, at some point in time, were only educated to an 8th grade level. Such an academic disparity did not warrant "racial preferences" because "race preference" programs merely placed inferior black students in Ivy League schools that they can't handle. At no point did Gragley suggest a solution for the root problem of academic disparities. In fact, if I recall, he actually suggested that there is no solution for such a racial disgrace. He instead supported the ending of affirmative action so that "blacks" can go to schools where they can compete.

End of his lecture!

Racial insensitivity aside, Graggs must be stupid if he thinks that everyone in the audience isn't at least minutely aware of the number of black youths who disproportionately suck at life. What astounded me, is that despite the glaring fact that white women have been the leading beneficiaries of affirmative action programs ever since they fanagled their way into being a minoritized group (which I'm not denying that they are, but white women need aff. act. in the workplace so much more than in undergraduate colleges, but that's a separate discussion), but he proceeded to bypass all other minority groups, saving his most scathing attacks for "blacks." (he NEVER mentioned white women.)

Furthermore, Graggila made it a point to first make an erroneous distinction between "race mixing" programs and diversity programs--as if by having a diversity of races, you don't automatically acquire diversity. And then, after making the distinction, he proceeded to attack the importance of diversity in general! (That man must have wet dreams of his experiences at CSU--Caucasia State University.)

I call Grag-gizzle a bigot because: 1) his unusual desire to lay all of the blame on "blacks" reveals an internal conflict between himself--as a white male--and black people in general. 2) The only possible explanation for why he would carry such opinions of affirmative action, while simultaneously declaring that the central cause of his objections is the academic disparity between the races, is a (perhaps subconscious) desire for racial self-preservation--the man is languishing in his own white privilege and white supremacy, the simple fact that he chose not to research the causes of black under-education but instead the birth pains of black over-education is evidence that his concern lies not with blacks, but with whites; his concern is not with education, but with race; he cares little for collective progress, and denies the potential for collective oppression (simply put, ivy league blacks threaten white privilege and superiority over time).

Attacking affirmative action is a defense mechanism that overprivileged whites develop to justify their privilege. Attacks on affirmative action that are based upon the failures of the American public (secondary) education system are merely a defense mechanism to support and maintain notions of white (academic) superiority. Attacking the scores of blacks in high schools--most of whom never make it to Universities, sadly--says nothing of the blacks in college. Such statistics have no place in College Affirmative Action discourse!

He disacknowledges claims that blacks deserve affirmative action if for no other reason than they weren't granted the right to an education by law at one time. (Alternately, blacks could deserve affirmative action because it generally will improve competition in white collar arenas (that is if whites were willing to hire highly educated blacks that are not conservative) but Graggle Rock apparently is not interested in competing with blacks--at least not on an equal footing. Also, one could argue that the reason for Groggles opinions is because when he was in school, he was drowning in a sea of white opinion. Perhaps, a little diversity would have saved him from the sin of ignorance. But he addresses none of these ideas either.)

One of the more frustrating discussions was about a timeline. Graggy Bear didn't even suggest timelines, the more moderate Federalist Society guy did. He asked "When are affirmative action programs supposed to end?" This is all I have to say on that matter: Blacks were not supposed to be legally treated as equals under the law from the first time black slaves walked on colonial American soil until the passing of the Civil Rights Act of 1964. No one has any right to discuss timelines until we get close to the same number of years. If actual equality is achieved--not just in law, but in society--there should be a discussion regarding the ongoing merits of affirmative action policies. Until then, shut your goddamn bigot mouth!

My greatest indictment of the whole concept is this: Why are school admissions programs a matter of law subject to the constitution? Education is not guaranteed by the constitution. If it was, no one would ever PAY to go to college, it would be completely subsidized/socialized. Since schools receive government funds, but are not government entities, I imagine that they should receive the same legal treatment as any other non-governmental BUSINESS that receives government aid. If the federal government can give billions to the airline industry without controlling basic hiring procedures, if the federal government can subsidize farmers without telling them what and when to plant, then why is the government sticking their greasy palms in my education. If a school wants to increase diversity, then let them do so. Don't ride the University of Michigan's dick just because they create a quota system that WORKS.

As an aside, I don't know a single white person that has a right to complain. Let's talk rhetoric: if a white person chooses to attack a school for creating a race-based affirmative action policy while simultaneously maintaining that "blacks" anything, they are rhetorically subjecting themselves to racial grouping as well. In that sense, we can talk raw numbers. Because he (or she) is white, and 70% or more of the college is white anyway, they have no complaint. If I am supposed to be grouped in with my black brothers and sisters whenever you make a flagrant generalization about my race, I too reserve the right to generalize about yours. And white people single-handedly dominate college campuses. So shut your trap and be glad that white supremacy still stands.

~Thank your lucky stars that Harvard, Yale, or Princeton doesn't decide to go entirely over to merit based admission. The moment the United States decides to suppress race admissions in favor of pure merits, I personally will make a movement to have minority students of excellence enroll in those schools. I will demand that they flood traditionally white Universities with brown faces until white students are the minority of the freshman...sophomore...junior...and someday Senior class. What could they do in a merit based system? They would have to let us in. Eliminate legacy programs, balance the financial aide programs, tame the athletics privileges, and BOOM! Be prepared to lose your much coveted spot to SUPERIOR minority academics.

But that would never happen. I just thought I might suggest the possibility. There's no way I could rally that many black, latino, and asian academics to a single school for four years. But if it were possible, if there was that much unity, I think affirmative action programs would be largely unnecessary. But there's not. And black people need a real reason to come to a school with a hostile racial environment. And yea, from what I hear, Ivy Leagues do not favor middle and lower class black youth. So suck it up white people, in the general sense, it's not so bad.

Oh, and Lino Graglia is a BITCH!!!!





And here's a general list of arguments from his lecture:

1. the only reason for race preference is because blacks underperform
2. the gaps (between the races) are too great to be ignored or overcome
3. the root (of the problem) is poor black academic performance
a. there is a 4 yr gap in reading and math between white and black students
4. the gap IS NOT decreasing--that is "pure fantasy"
5. without "preferences" the number of blacks (at ivy league schools?) would drop below 11%
6. instead of going to schools where they can compete, blacks go to schools where they are academically inferior
7. "Ethnic Studies" (was created) to (try to) prove white racism and conceal inferiority



And here's a link to one of his essays, ***warning, it is not for the egalitarian of heart***:

"The Affirmative Action Fraud"

Monday, October 01, 2007

Quote of the Week:
Just because a man lacks the use of his eyes doesn't mean he lacks vision.

--Stevie Wonder

Book of the Week:
Invisible Man by Ralph Ellison

Event of the Week:

"African-American Male/Latino Empowerment Summit" AALO
(How do you do you in Academia Successfully?)


Keynote addresses by Michael Eric Dyson and Joe Hernandez-Kolski

Tuesday, September 25, 2007

Next on the Mic!!!

Featuring Sir AMP (The Cunning Linguist of KU)


Apathetic Desires:

guiltless appetites, consuming neophytes
consumptive apathy, reductionist strategies
messianic deliveries in the church of greed
emotional bulimia succeeding gratuitous feed

antipathetic collectivists, antiseptic strategists
hygienic demagogues white-washing moral fabrics
prophesied enlightenment? heliotropes are morally anemic
cathartic practices oxygenate while you morally asphyxiate

guilt subsumed within the democratic machinations
squeeze the lungs tighter constricting inhalations
air pressure rises and release becomes imminent
consumptive fires spread through the bellows exhalations

omniscient eyes prime
seismographic paradigm
more, but why?

pandora’s box opens
unfulfilling prophecies
dreams startled awake

the omniscient eye of a free-market conspiracy
emblazons subliminal visuals inside and outside the enigmatic psyche
mass-produced psychology syncopating automatons’ rhythms
producing mechanized didacts propagating cloned seeds

guilt at the vanguard of the battle scence
white-washed stigmas legislate proper hygiene
pseudonyms make the planet shine - they wanna keep the race clean
kaleidoscopic imperialism shining underneath the green

supplemental cultural narratives are replacing moral imperatives
hermeneutic context is industrial appeal
unsung questions capitulate to tyrannical prerogatives
get past the mask to find what the subterfuge reveals

helplessly we wait
apathy consumes action
guilt sheds like snake skin

manumitted emotions enslave sovereigns’ burgeoning potential
inaction fuels the embers of the fires
what refuge remains is ostensibly inconsequential
the appetitive gluttony of apathetic desires




AMP is new to the Black Tuesday Collective. Bringing an Environmental/Literary/Activist approach to the African American experience, AMP is a true scholar and gifted linguist.

Tuesday, September 18, 2007

Guest Poet Coming to the Stage...

Real Talk Vol.3

I was birthed to a generation that has conditioned itself to promote selfishness
A generation that prides itself in screaming "look what i got!" and broadcasting what you dont have
Flossin
And instead of seeing that we all struggle
We steady tossin ourselves to the sharks of vices and big businesses
When what we missin is that our culture, in itself, has become big business
See execs sit at long tables, debating over ways to maximize their profits off of our ignorance
And we let em
We’ve divided ourselves senselessly, a people that once had the
Potential to be the supreme example of unity
Now, black youth grow up with a distorted view of "by any means", coming up with dreams of cars and big necklaces that, to me, resemble slave chains
Something went wrong
Somewhere in between all those old church songs and today's 50 Cent
We lost our common sense on how to maintain
But honestly, who do we blame?
Cause I dont think its just rap music
And hip hop never asked to raise our kids
So maybe we should step up and take responsibility for our own, or we'll keep missin out on what the real problem is
Understand that before all the Don Imuses and Micheal Richardson's, the problem still remained
And if every rapper in the world disappeared today, things would still be the same
But, this game has never really changed
Way back, slave masters use to put us to shame by tearing apart the family
Removing the male and disrupting the mother's sanity by forcing her to breed more workers
With no man in the home, women were left alone with the task of raising boys into men who would one day grow up to be fathers
And today, black fathers are now viewed as an endangered species
Standing as a testament to Willie Lynch's means of destruction
Corruption now sweeps through our neighborhoods
Leaving no trace of name or identity
And it leaves me to question if this is how God meant it to be
Because, how could a people so beautiful and gifted, so easily be lifted out of our natural course
I dont have all the answers, but I do know that, unless we force ourselves to become our own biggest critics, then young black boys and girls will continue to turn up as statistics on the daily news
And we'll continue to be misviewed as a people without hope
...But I'm not having it
Because for every drug advocate, there's a college graduate
And for every pacifist, there's an activist
We just have to decide that we will no longer hide behind the shadows of self-destruction
Because somewhere, there's and 11 year old child who's silently screaming for instruction
His eyes are as big as the Moon
And his imagination has the type of innocense that would move masses
As he sits in his room, he slowly puts on his glasses and his backpack to get ready for school
In his left hand is a revolver and in his right hand is a textbook
And if none of us are strong enough to stop him, we'll look up and lose this child who used to believe that he could grow up to change the world
And I cant live with that on my conscience
....Can U?

David Abdullah Muhammad aka "Brotha Newz" 2007
David was born in Kansas City, MO and currently resides in Overland Park,KS
He is a Senior at Emporia State University, majoring in Secondary Education (Social Sciences). David has aspirations of teaching high school and running a successful martial arts school. Beyond that, Brotha Newz continues to write dope pieces, make Hajj, and search for a woman who will be his queen, mother, and father.

Monday, September 17, 2007

Texts on Colorism

Brief book/film list on the color complex/race changes. Enjoy!

Books

Passing by Nella Larson

The Blacker the Berry by Wallace Thurman

Black No More by George Schuyler

The Color Complex by Kathy Russell

Trick Baby by Iceberg Slim

Caucasia by Danzy Senna

Don't Play in the Sun by Marita Golden

The Black Notebooks by Toi Derricotte

Mulatto America by Stephan Talty



Films

The Jerk

Imitation of Life

Black Klansman

The Landlord

School Daze

Whiteboys

Cosmic Slop




These are just a few to get you going. Please feel free to add more items in the comments section or email me: cartertwin@hotmail.com

Saturday, September 08, 2007

A Letter to My Elder(s)

I wrote this e-mail to a gentleman who I met in this last year who shows a genuine interest in alleviating some of the problems of the black community. Most importantly, he is interested in ending the cycle in which the black youth are encapsulated. I wrote this to him as a response to something we (Black Men of Lawrence) were discussing only the night before. I was writing it, and it blew-up into something very important, but unexpected. So, I'm offering it to you here:


I wanted to e-mail you about what was being discussed last night at the black men of lawrence gathering. Mostly, I wanted to discuss the education thing. Derrais and myself were discussing what your associate was saying about the youth and we agreed that a drastic difference between your generation (or at least his) and our generation is that the black community had more control over the school system. One of the greatest sacrifices that black people made to facilitate integration was selling their children to the machinations of a white dominated educational system. Rather than the school board having to answer to a black majority, the schools now have to answer to a white majority. The white majority never did--and still doesn't--care about or desire their children to learn black history. Derrais and my experiences both attest to that reality. I would assume that it is no better anywhere else in the midwest, and probably worse as you approach inner-city schools that are controlled more directly by the state. I think that No-Child-Left-Behind is a part of that. By having a federal program that decides what kinds of information a student must know in order for the school to be accredited, the schools are pressured even more to ensure that the black students assimilate. Since the black students are not interested in assimilation, drop out rates are only more likely to increase.
I asked Derrais how much black history he had in his youth, and it appears to me that if you asked all of the more advanced black students to find a commonality that explains their status as academics in contrast to their dropped-out counterparts, you'd probably find that most of us had parents that were engaged in our education. Furthermore, and most importantly, they taught us black history where the school system didn't. I contend that, either it is job of the black community to demand that some alternate history and racially respectful curriculum be added in the school systems--or at least the black community provide that black history base to their pre-pubescent child's home life.
I think an important way of developing the black youth, would be to create a short book list of "must-reads." A list of books that will give black children the kind of background that they need to love themselves and respect what they are learning. The only book that I'm certain of is the Autobiography of Malcolm X, which should probably be read during the middle school generation. I think that a brief black inventors book should be a part of the elementary school period. Also in high school should be the alternative history of the United States, such as Howard Zinn's People's History or something along those lines.
To me it seems that black youth fail to embrace education because it is white washed. They teach that the Greeks invented math, science, and philosophy. They teach that everything of value in our lives is white. I guarantee you that no more than 1% of black youth know that math, science, and philosophy was originally taught to Greeks by Africans. Even fewer think of Egyptians as black--because they are consistently presented as white. Astronomy is just as African as it is European. They don't teach that the Mayan calendar included eclipses--which means that astronomy existed in the "New World" at least a 1000 years before Columbus. The school system is denigrating towards minoritized histories. Whiteness is treated as fact, and imperative. Black youth have nothing to love about themselves, and even less to love about a school system that teaches that for white students but not black students.

Think of it this way. How do white people learn their identities? How do black people learn their identities? White people learn it everywhere, and all the time. Black people have to search for it. If black people are inundated with sensory information that tells them that the nature of blackness--authentic blackness--is criminality, ignorance, and irrelevance, and no one is correcting that sensory information, then it should be no surprise that the black youth are on the purely survivalist level. Why should they develop beyond that; they've been told their whole lives that they should aspire to nothing more than survival.

As I said in my last e-mail. Black people have all of the skills necessary for success, it is merely misplaced energy. When black people are doing for self, you can see the abundance of talent, focus, determination, dedication, and discipline that we all inherently have. When black people feel like they're not benefiting from their efforts--like white-washed schools--you can literally watch their energy turn from enthusiasm to exasperation. Then, when they are punished for their disinterest--because the whole of society tells them they should be interested in whatever it is that white society is inundating them with--they are traumatized.

My generation is only one generation removed from social revolution. Our heroes are at most ten years removed from the Civil Rights Movement. We only know the aftermath of those efforts. What black people really need is to take a cold look at the aftermath of the Civil Rights Movement and see how much has changed. I can say, and see, that while the laws have changed, little else has. Even the laws are getting reversed--into de facto forms of archaic Jim-Crowism.

Watch the supreme court decisions in regards to integration, affirmative action, and civil rights legislation. Ask yourselves, how much of Martin Luther King's work is sticking around? School integration? White flight fixed that, and the supreme court is ending it now. Affirmative Action? George Bush and congress have taken care of that--but the supreme court got first bite. Civil Rights legislation...such as the Voting Rights Act? How many of us actually vote? Not enough to matter as a political block. Our voting has been destroyed by gerrymandering, gentrification, the electoral college, and direct bigotry. To my generation, we don't see the glories of the Civil Rights Movement. To us, it was nothing more than a failed black unity movement...cause we don't even have unity.

My point is, your generation saw it all. You saw the good, ran with it, and in-between all of your success--the rest of us slipped through the cracks. While the black middle class rose, the black lower class fell. The black youth that you are concerned with are not (necessarily) the children of the black middle class. They are the children of the people who DID NOT benefit from the Civil Rights Movement. They are the second generation of integration losers. Our grandparents were farmers, and ghetto residents. We felt the sting of the neo-conservative movement; and the bitter loss to the neo-liberalist movement. While the black middle class shakes their head at the losses and changes. The black lower-class is racing through the ghettos keening with their guns, tears streaming down their hardened faces, wondering where hope went.

I'm sending you a set of song lyrics attached to this e-mail. It's a song by the Hiphop group Dead Prez. The song is titled "They Schools." It's uncensored because I think it's important to our understanding of their perspective. I honestly don't think that any of the black youth comprehend their problem on the level of Dead Prez--many of them probably FEEL that, but are incapable of comprehending or articulating what's wrong in their world. I'm also giving you a link to something I wrote called the "Black Student's Manifesto." I wrote it a while ago when a childhood friend of mine insinuated to another friend of mine that being an AAAS major was anything but worthwhile. It only speaks to the idea of black identity. Hopefully some of this helps to make sense of the perspective and problem of black youth today. It's no easy task that you're pursuing. You're not only battling against the hardened hearts of black youth, but in order for you to reach them at all, you must be willing to put up a fight against the white majority who might be the foundation of your income. To win this fight, you must have a healthy fear of the battle.

Black Student's Manifesto

I hope this wasn't too long. I wasn't thinking very linear. But I hope it helps some. I'll drop by your office sometime next week.

Chris

Thursday, September 06, 2007

For those who don't know me, I spit. When I say I spit, I mean I rap...on occasion. And, I'm not bad. At least I think I'm better than most of the people you hear on the radio. Needless to say, when Docta' Carter invited me to write on his blog, it was perfection. It fit. But as of yet, I have not placed any of my work on here. I'm usually afraid to. I like what I write and have every intention of using any worthwhile bar I put together. However, I wrote a set the other day. It will inevitably be an album opener in the future, but I wanted to put it on here. So, as Missy Elliott once said, "copy written so don't copy me." I can't stand biters, as if anyone on here is prepared to take on my lyrics in a public arena. You'd have to be an idiot. Thank God I am.

There's a title for this, but I'm never going to say it outright. I want people to choose their own titles. It will mean different things to different people. Any questions, just ask:

I pledge allegiance
To the salvation of the nation
The end of brown incarceration
To the death of assimilation
I swear my dedication
To equalitarian integration
Even if it means separation
Cause I will neither hate
Nor wait
On any caucasian
For my emancipation
My soul's vexation
Is false representation
Borne of ofay media motivation
H.E.R. commercialization
A product of capitalist dollarization
My persistent dis-representative spiritual taxation
Will only turn this slow burn
Into a cultural conflagration
My small ax
Will fight back
Without the slightest hesitation
I embody individualization
But have never forgotten my communal originations
Though you attempt my homogenization
I will not fall prey to your monolithic presentations
Force fed criminal acculturation
And societal dreg inebriation
I will not be your photo negative imitation
Nor your self-indulgent propogandation
Through our collective demonization
I will uproot the very foundations
Of your glorified civilization
Not liberal but independent
Revolutionary 'til we finish...

~Complex

Tuesday, August 28, 2007

Call for Papers

Pacific Sociological Association: The Crossover: Hip-Hop, Commercialization and American Culture

2008 PSA Meeting – April 10th-13th, 2008 at the Marriott Hotel in Portland, OR.

Presentation proposals are now being accepted for The Crossover: Hip-Hop, Commercialization and American Culture session of the 2008 Pacific Sociological Association meeting in Portland, OR, April 10th -13th 2008. The session organizer seeks presentations from faculty and/or graduate students who are currently involved in research on the effects of commercialization on Hip-Hop music and culture and also on how the commercialization of Hip-Hop has affected the broader American culture in the last 25+ years. All disciplines are welcome!

Please send presentation titles and abstracts of 200-250 words via e-mail or mail (e-mail is greatly preferred) by November 1st 2007 to Michael Barnes at the addresses below. Make sure to include home department and institutional affiliation with your proposal.

Michael Barnes
Session Organizer: PSA 2008
Department of Sociology
University of California-Berkeley
410 Barrows Hall
Berkeley, CA 94720
mpbarnes@berkeley.edu

For additional submission information from the Pacific Sociological Association and more details on the conference:
http://www.pacificsoc.org/2006/06/2008_annual_mee.html

Michael Barnes
Session Organizer: PSA 2008
Department of Sociology
University of California-Berkeley
410 Barrows Hall
Berkeley, CA 94720
Email: mpbarnes@berkeley.edu
Visit the website at http://www.pacificsoc.org/2006/06/2008_annual_mee.html

Monday, August 27, 2007

Quote of the Week:
I've always been proud to be black. But proud and obsessive are different things.

- Jacob Lamar

Websites for t-shirts

Urban Profile

Artistic Tees

House of Nubian


Book of the Week:

Their Own Receive Them Not
by Horace L. Griffin

Opportunity of the Week:

I have a call for submissions list for all writers. Contact me for more information

carterda@ku.edu

Wednesday, August 08, 2007

NYC here I come!

I am at the airport right now waiting to board my flight to NYC. Just ahead of me is a tv with a CNN news alert. Apparently, the east coast has has some weather issues (i.e. tornado warnings). How bout that?

Thursday, July 26, 2007

Call for Submissions: Words, Beats and Life Journal

Call for Submissions: Words, Beats and Life Journal



It Ain’t My Fault: Blame it on Hip-Hop
Many believe rap music to be culpable for the failing within black communities. Jay-Z and Lil’ Jon have become more popular targets than racism and poverty for political pundits and self-appointed race men. The WBL Journal staff is looking for submissions that address this re-emerging phenomenon. The overarching theme for this issue is “It Aint My Fault: Blame it on Hip-Hop,” but below you will find themes to guide your research.
From C. Delores Tucker to Bill Cosby: Conservative Attacks in Black Face

In the past 10 years, we have seen a record number of Black men and women running for elected office as Democrats, Republicans and Independents. The writer can delve into explanations for black and Latino leaders’ support of more conservative candidates, such
as Russell Simmons backing Michael Bloomberg in New York and Michael Steele in Maryland. Authors could also explore why some hip-hop artists, such as 50 Cent and Eazy E, and “activists” like Jeff Johnson are slowly beginning to support more conservative candidates. One can also address Mr. Cosby’s disparaging remarks about hip-hop dialects and the lower class communities of color. One can also examine the Citizen Change and
Vote or Die campaigns, their agendas and effectiveness. (Russell Simmons’ work with the Urban League traditionally conservative Hip-Hop Reader project).

Panthers: Hip-Hop’s Black and Brown Radical Roots
Many people refer to hip-hop as “multicultural movement.” Interestingly enough, very few hip-hop artists have made it a priority to move beyond discussing this phenomenon as a movement of multicultural consumers. The author should look at how hip-hop generation activists and organizers are moving beyond the black/white racial dichotomy of the 20th century. With the immigration debate, terror bills and the general xenophobia pumped out of your local TV and radio station, how are hip-hop generation youth moving beyond, working through or navigating around personal racial politics? What effect is this environment having upon the state of the individual communities in America across color lines? Ideally, authors should place hip-hop within a historical context of Black radical activists who worked across racial boundaries.

Parental Advisory: A History of Censoring Black Speech
The author can investigate and build a timeline of censorship of Black music and political speech. One can also explore the ramifications of such censorship. We are trying to convey a link between the two, and show that Black music and political commentary are often one in the same. Writers can also look at how government agencies such as the FBI and local police have followed rap artists such as NWA and 2 Live Crew, much like they did individuals and organizations like Amiri Baraka and the Black Panther Party. Tipper Gore, Bill Clinton, and Rush Limbaugh have all tried to use their influence to silence rappers.

Ridin’ Dirty on 85: Rap’s Great Migration to the South
On their most basic level, articles covering this topic should look at how New York-based rap artists have responded to the great remigration of Black people and culture to the South. This section is intended to provide a contemporary look at the state of rap music and its migration to the south. This phenomenon should not be looked at in a vacuum but rather be tied to census data outlining the impact of African American Migration from the Northeast to the South and Midwest. This migration of culture need not just be tied to the music itself, but to the democratization of access to the necessary means of production, promotion and distribution of music and culture.

Same Old Song: The Blues, Gospel and Hip-hop
Firstly, one can document the critique from the religious establishment of Black popular music and contemporary gospel. In this section, we are especially interested in the effect of denigrating Black popular culture in African American Churches. It would also be important to look at examples of how churches have appropriated Black popular culture in the creation of “gospel happy hours,” “hip-hop choirs,” and even “hip-hop churches.” In addition, the author could explore the explosion of Christian hip-hop and the fusion of traditional gospel styles and hip-hop. One can also write about how fringe religious sects such as the Nation of Islam and the Five Percent Nation exploit hip-hop as a vehicle for proselytizing their dogma. It would be appropriate to examine the use of hip-hop to promote Islam, and how that stands in opposition or solidarity with Muslims and Christians. This article can consist of interviews, essays or scholarly reviews outlining the history of condemnation of contemporary Black music by Black churches or mosques.

From Bridging the Gap to Passing the Torch: Where Do We Go From Here?
This article should examine bonds made between civil rights generation and current youth activists in attempts to make mutual progress.

Submission Forms
Scholarly Submissions
Multimedia
Creative Writing
Research Papers
Visual Art
Essays
Interviews
Photography
Poems
Short stories

Process of Submitting
All submissions are accepted on a continuous basis and need not be limited to the themes outlined below. All submissions designated as scholarly require an abstract of 150 words or less and up to five key words. All scholarly submissions should also follow the APA style guide. Please send all submissions to: submissions@wblinc.org, or in the case of compact discs:
WB&L Journal / 1524 Newton. St. NW / Washington, D.C. 20010. Deadline for submission for this issue is October 19, 2007.

Tuesday, July 24, 2007

Personal and Academic Progress

Quote of the Week:

To be black is to live with anger as the defining emotion of a racial experience. To be successful is to learn how to keep the emotion from consuming or debilitating black ambition.

Audrey Edwards and Craig K. Polite

Book of the Week:

Know What I Mean? Reflections on Hip Hop

by Michael Eric Dyson

Event of the Week:


University of Kansas McNair Scholars Programs will host a research symposium this Friday. Scholars from various academic disciplines will present research on topics ranging from Biology to Poetry Therapy.

(Click here for details)

The Black Student's Manifesto (work in progress)

This entire post...from another blog...could be equally applied to anyone who does not identify themselves (or cannot identify themselves) as white in America. That doesn't mean that it is irrelevant for white people, simply that it takes an "enlightened"--yeah, I know that sounds really offensive. i'll change it when i think of a better word choice. until then, sorry--white person to accept what I'm saying as potential truth and ACT accordingly. I don't mean to exclude anyone, I just got caught up in a thought and pursued it. I mean what I'm saying, but I did want to be completely clear that I could have equally called this the "Minority Student's Manifesto", I simply don't feel as though I have any right to speak for a group that I only remotely identify with. And there's plenty of black conservatives who would disagree with me anyway. So I'm not universal with mine's. But too the meat!--------->
A friend of mine, when he found out that I was an AAAS major, asked, "So did Chris become the typical African-American Studies major?" My response was, "there's an AAS archetype/stereotype?" Apparently so. Or at least I suppose so. I'm not upset by that, because that requires an admission of a black intellegentsia--somewhere--that whether he agrees with the premises of that intelligentsia, he has to acknowledge its existence, thereby acknowledging me as a member of the "talented tenth." (Did I forget to mention that my friend is a moderately conservative, white Republican?) Anyway, so I thought to myself, if I were the one who told him of my major, what would he have said to me? I think he would have asked something along the lines of "why?" So here it is:

I can't imagine surviving as a black person in America without at some time or another examining my identity. White people don't share that anxiety. There is no question of whiteness--despite the existence of whiteness studies, which is an attempt to problematize whiteness in the same way that blacks have problematized their negrescence--it is an accepted fact. There is no standard of whiteness. Despite thousands of years of art, cultural development, and recorded history, whiteness is maleable and virtually transcendent of the racial signifier that is "white." Blackness doesn't have that. Not in America at least. When I go to class, I learn about the triumphs of western civilization. My classes glorify the tyrannical nature of western expansion. The enlightenment is seen as an era of intellectual growth; as opposed to the period that produced western racism and dogmatic white supremacy. The Greeks created philosophy; rather than Greek philosophy being a product of Greek conquest in Africa, the Middle East, and East Asia. We laud western civilization in American schools rather than critique it, more often than not. The western world is designed to reaffirm the whiteness of every white person that is fully immersed within it. Which, to me is...okay(?). I'm not complaining about the fact that white civilization actively promotes and affirms white identity. What should I expect? But when white people hear my major and ask me, "what are you going to do with that?" My first thought is, "how can you believe that an active, scholastic, search for identity is an impractical endeavor?" The successes of white students over black students in America just might be, in part, a result of an undefined identity. A certain dissatisfaction with whom one is and can become. True, white people can REdefine their identity; but the fact is, it has been defined once--if not numerous times--already. Black people do go to college to learn, but every adult will admit that college is just as much about education as identity assimilation. It is designed to put you in a successful frame of mind. To mold you into a confident, intelligent human being. And I find it sad and oppressive to think that so many people don't understand the importance of tracing my...identity.

Here is a compelling metaphor. A black man in America is a human on Mars. Sure, presuming that Martians are humanoid, a human could get along on Mars. You could learn Their history, Their culture, assimilate to the way They do things; but that won't get You through the day. At the end of it all, you still have to come to terms with the fact that you are not a Martian, but a (wo)man. And that that reality must be realized, recognized, and accepted by the Martian world for you to be comfortable living there. If Martians wore boots on their ears (and I don't mean earrings) and expected you to assimilate, you might not like it. But given 400 years, you wouldn't think twice about it. There would be a loss, that once discovered, would have to be unearthed in its entirety. You must be developmentally satiated to survive life in a foreign environment.


I know...I'm an "American." I was born here, I live here, and I'll probably die here. But the fact is nobody has said what that means. And if they did, I wouldn't agree. I don't like dogmatic definitions of identity factors. While I may be American by birth, we still haven't had a president who looks like he could be related to me. When I make moves to pursue my future, I do it through people who see my skin color first--and my work and ideas second. When the world thinks about Americans, they know that there are black people--hell they know there are indigenous people, but they imagine white flesh. Part of the reason they integrated the military during Vietnam is because the Viet-Cong wouldn't shoot black soldiers. (Divide and conquer?) Imagine sending segregated black troops into an occupation in Africa. Who would the black soldiers sympathize with? Am I an American? By the text book definition yes. Am I an American in reality...not yet. With problems like white flight, privilege, supremacy, I'm at an integrative loss. I can't integrate into a society that doesn't want me as me. I can't assimilate into a society that tells me that assimilation equals glorifying the past of their forebears--but mine were immaterial, inferior, and primitive. For all of your intellect, Chris, I'm more afraid of you than admirous of you. I would rather shun you than compete with you. The world I live in DEMANDS me to find me. If I can't learn it the same way that white people learn their identity--everywhere--I'll learn how black people learn their identities--anywhere.

Can You Taste the Bitterness?

There was a guy on another blog I post to who was writing about Michael Moore's movie "Sicko"--the link is connected to the title above. He was discussing how f***ed up Americans must be to allow the kind of corruption that exists in American politics and business. He went on to say that both the media and politics have sold themselves to the corporate world. So...I couldn't resist the urge to reply. And here it is:


I once wrote a blog entry about the town I'm living in. It was a rant. I referred to it as: "A petit-bourgeoisie society with a 1960's hangover."

My point is, after Reagan, America resigned revolutionary actions to the past. Post-Reagan politics have been about portraying America as THE model of democracy and success, even if we can't get our domestic stuff straight. It's not that our politicians our liars...it's that they're in politics. They don't work for what they believe in, they work to get re-elected.

Politics isn't a convocation anymore, it's a business--not a calling.

In the first generation after America's "founding" the "founding fathers" had jobs! Politics was their pasttime. They practiced politics part time, and did other stuff full time. America didn't have full time politicians who were paid gross amounts of money to debate crap that's not really very debatable. How do you argue against universal healthcare...really. Other than the fact that it's a socialist program in a quasi-democratic state (which isn't mutually exclusive despite the ignorance of many Americans), why would anyone be against it. The only answer is because capitalism comes before democracy. America has been, since its inception, less about what is right than about the right dollar.

Take the 3/5 clause in the constitution for example. The only reason it exists is because they didn't want southern cash to take a hit. Many of the "founding fathers" owned slaves, which they released upon their deaths. One of them, Madison, was adamantly against slavery. If it had been up to him, everyone would have been free after the "American Revolution".

My point is, C.R.E.A.M. applies to politics just like it does our lives. America is a fucked-up-repugnant nation because we have misappropriated our energies. We are the wealthiest nation because we put energy that should be given to our neighbors into ourselves. We've sold the soul of the nation for money, and there's no sign of change. We decided that revolution belongs to other countries, with "dictators," like Iraq, Iran, North Korea, countless African nations, Cuba, and Venezuela under Hugo Chavez...but we're controlled by a post-Reagan legacy of dictatorial manipulation. We're taught to believe that we HAVE TO vote democrat or republican. We're raised in families with ties to one or the other. We pay them! our politicians, to be partisan rather than American. And it's all b******t.

I'm ranting on your blog. Ignore me anyway. I'm a "Black Nationalist" revolutionary type. The media doesn't like what I have to say anyway. And you do whatever the media says right?

Wednesday, July 18, 2007

The N-Word


So, the NAACP recently buried the N-word.

I would like to give an unenthusiastic cheer for the talented tenth. You have truly saved me from the harsh realities of being a black, male, hip hop head in America. Now that the N-word is symbolically stricken, I guess the cultural myopia I continuously face will come to an end.

For all intensive purposes, the "n-word" will now substitute n***** and n****.

I recently read an opinion piece by critic (and hip hop antagonist) Stanley Crouch (article). The article is entitled Good riddance

Burying the N-word, driving stake through the heart of hip-hop's demons


Although very catchy, the whole "driving the stake" thing would be more applicable had the current hip hop generation been actively engaged in this issue. We can easily look at figures such as Chuck D and say that there are prominent artists who are contributing, however, even Chuck knows that there are generational differences in hip hop. I applaud Crouch in his desire to consistently castigate whenever possible, but in all honesty, disrespect didn't start with hip hop. We can bury all of the negative words we want, but as long as people can begin a sentence with "yo mamma..." somebody's feelings will get hurt.

The burial of the "n-word" will help a lot of people sleep well, but it will also hinder an understanding of the business of popular culture. In the aftermath of Imus vs. Rutgers, record industry execs met to discuss the use of offensive language in rap albums. During a Rapsessions Town Hall Meeting (which aired on C-SPAN), T. Sharpley-Whiting called the meeting a "moment of White supremacy culture, patriarchy, and capitalism coming together to discuss black women’s bodies". At the end of the day, that's what it came too. Finding ways to justify moral crusades against art is like pouring water out of a boot with instructions on the heel. There must come a critical look at the business behind the art. As much as we argue about hip hop and art, the business aspect has been there since Kool Herc's sister was throwin' parties back in the day.

Crouch also notes a comment made by Mayor Kwame Kilpatrick:

"we are not just burying the N-word, we're taking it out of our spirit. We gather burying all of the things that go with the N-word. We have to bury the pimps and the ho's that go with it."

One would be hard-pressed to think that one generation will get rid of centuries of pimping. Sure, it sounds good, but where would America be without the pimp mentality (google Beth Coleman's essay "Pimp Notes on Autonomy").
Finally, rappers do need to step their intellectual game up; but so do hip hop fans and critics. In the Souls of Black Folk W.E.B. DuBois writes "[w]ords and music have lost each other and new and cant phrases of a dimly understood theology have displaced the older sentiment". With the burial of the n-word, we have found yet another topic to store in Black America's closet of sacred cows (just below colorism, and 3/5 of an inch above O.J. ). This event should not be used to escape the contradictions of black life. It sould be used to address the "real" concerns of the community. We should see how education, arts, and commerce all make the "n-word" real.