Showing posts with label African American. Show all posts
Showing posts with label African American. Show all posts

Tuesday, September 25, 2007

Next on the Mic!!!

Featuring Sir AMP (The Cunning Linguist of KU)


Apathetic Desires:

guiltless appetites, consuming neophytes
consumptive apathy, reductionist strategies
messianic deliveries in the church of greed
emotional bulimia succeeding gratuitous feed

antipathetic collectivists, antiseptic strategists
hygienic demagogues white-washing moral fabrics
prophesied enlightenment? heliotropes are morally anemic
cathartic practices oxygenate while you morally asphyxiate

guilt subsumed within the democratic machinations
squeeze the lungs tighter constricting inhalations
air pressure rises and release becomes imminent
consumptive fires spread through the bellows exhalations

omniscient eyes prime
seismographic paradigm
more, but why?

pandora’s box opens
unfulfilling prophecies
dreams startled awake

the omniscient eye of a free-market conspiracy
emblazons subliminal visuals inside and outside the enigmatic psyche
mass-produced psychology syncopating automatons’ rhythms
producing mechanized didacts propagating cloned seeds

guilt at the vanguard of the battle scence
white-washed stigmas legislate proper hygiene
pseudonyms make the planet shine - they wanna keep the race clean
kaleidoscopic imperialism shining underneath the green

supplemental cultural narratives are replacing moral imperatives
hermeneutic context is industrial appeal
unsung questions capitulate to tyrannical prerogatives
get past the mask to find what the subterfuge reveals

helplessly we wait
apathy consumes action
guilt sheds like snake skin

manumitted emotions enslave sovereigns’ burgeoning potential
inaction fuels the embers of the fires
what refuge remains is ostensibly inconsequential
the appetitive gluttony of apathetic desires




AMP is new to the Black Tuesday Collective. Bringing an Environmental/Literary/Activist approach to the African American experience, AMP is a true scholar and gifted linguist.

Monday, September 17, 2007

Texts on Colorism

Brief book/film list on the color complex/race changes. Enjoy!

Books

Passing by Nella Larson

The Blacker the Berry by Wallace Thurman

Black No More by George Schuyler

The Color Complex by Kathy Russell

Trick Baby by Iceberg Slim

Caucasia by Danzy Senna

Don't Play in the Sun by Marita Golden

The Black Notebooks by Toi Derricotte

Mulatto America by Stephan Talty



Films

The Jerk

Imitation of Life

Black Klansman

The Landlord

School Daze

Whiteboys

Cosmic Slop




These are just a few to get you going. Please feel free to add more items in the comments section or email me: cartertwin@hotmail.com

Wednesday, July 18, 2007

The N-Word


So, the NAACP recently buried the N-word.

I would like to give an unenthusiastic cheer for the talented tenth. You have truly saved me from the harsh realities of being a black, male, hip hop head in America. Now that the N-word is symbolically stricken, I guess the cultural myopia I continuously face will come to an end.

For all intensive purposes, the "n-word" will now substitute n***** and n****.

I recently read an opinion piece by critic (and hip hop antagonist) Stanley Crouch (article). The article is entitled Good riddance

Burying the N-word, driving stake through the heart of hip-hop's demons


Although very catchy, the whole "driving the stake" thing would be more applicable had the current hip hop generation been actively engaged in this issue. We can easily look at figures such as Chuck D and say that there are prominent artists who are contributing, however, even Chuck knows that there are generational differences in hip hop. I applaud Crouch in his desire to consistently castigate whenever possible, but in all honesty, disrespect didn't start with hip hop. We can bury all of the negative words we want, but as long as people can begin a sentence with "yo mamma..." somebody's feelings will get hurt.

The burial of the "n-word" will help a lot of people sleep well, but it will also hinder an understanding of the business of popular culture. In the aftermath of Imus vs. Rutgers, record industry execs met to discuss the use of offensive language in rap albums. During a Rapsessions Town Hall Meeting (which aired on C-SPAN), T. Sharpley-Whiting called the meeting a "moment of White supremacy culture, patriarchy, and capitalism coming together to discuss black women’s bodies". At the end of the day, that's what it came too. Finding ways to justify moral crusades against art is like pouring water out of a boot with instructions on the heel. There must come a critical look at the business behind the art. As much as we argue about hip hop and art, the business aspect has been there since Kool Herc's sister was throwin' parties back in the day.

Crouch also notes a comment made by Mayor Kwame Kilpatrick:

"we are not just burying the N-word, we're taking it out of our spirit. We gather burying all of the things that go with the N-word. We have to bury the pimps and the ho's that go with it."

One would be hard-pressed to think that one generation will get rid of centuries of pimping. Sure, it sounds good, but where would America be without the pimp mentality (google Beth Coleman's essay "Pimp Notes on Autonomy").
Finally, rappers do need to step their intellectual game up; but so do hip hop fans and critics. In the Souls of Black Folk W.E.B. DuBois writes "[w]ords and music have lost each other and new and cant phrases of a dimly understood theology have displaced the older sentiment". With the burial of the n-word, we have found yet another topic to store in Black America's closet of sacred cows (just below colorism, and 3/5 of an inch above O.J. ). This event should not be used to escape the contradictions of black life. It sould be used to address the "real" concerns of the community. We should see how education, arts, and commerce all make the "n-word" real.

Wednesday, June 27, 2007

Making it blend

Last week, I gave a lecture on how to incorporate hip hop into a liberal arts education. When I hit the English/Cultural Studies portion, I discussed the ways that hip hop music and history could be incorporated into an English courses. This leads me to the final entry for Black Music Month:

Artists of the Week:

Al Green and Nasir Jones

Album of the Week:

DJ Swindle Presents...Almatic (listen)
Almatic blends the Nas' lyrics with Al Green's music. It is an interesting combination. Check it out.

Event of the Week:

DMX @ the Granada
Lawrence, KS
Thursday June 28th
(details)