Wednesday, February 25, 2009

A New Way of Responding to Crisis

The column below was printed in the "Fresh Ideas" section of the March 1st-March 7th edition of the Michigan Citizen, which can be found here:

“This is a breath of fresh air. It's a new way of looking at a crisis,” Frank Hammer explained as he introduced the film, The Power of Community: How Cuba Survived Peak Oil at the February 21st. Swords into Plowshares' “Living with Scarcity, Visions of Hope” meeting.

The film depicts how Cuba's adapted to a lack of oil following the demise of the Soviet Union in the early 1990 by replacing large scale industrialized farming with small urban farms that empower the community.

In a way,” Hammer continued, “this [response] by the Cuban people is an advanced example of what people all over the world will have to do.”

When Cuba was no longer able to count on an unending supply of oil, Cuban agronomists recognized that large scale farming, involving the chemical treatment of crops, the use of air-conditioned and media-equipped tractors, and the transportation of nationally-produced crops domestically and/or internationally, was no longer a viable option. As a result, subsistence urban agriculture supplanted industrial government farms, transforming the farmers' relation to the land and with each other.

In the last few decades industrialized agriculture created in the global south by corporations from the global north has dominated food production, single-handedly destroying not only the subsistence of local communities but the earth's fertility. This was also taking place in Cuba until it was no longer able to depend upon oil from the Soviet Union and found it necessary to create another model in which local, private farms are primarily responsible for agricultural production. Now, “in small cities and towns, urban agriculture provides 80-100% of food needed.”

An agricultural revolution of such magnitude in Detroit would not only provide the stimulus our city needs. It would also resolve a slew of problems from obesity to interconnectivity.

After watching the film, panelist Malik Yakini, director of Detroit Black Community Food Security Network, opened his presentation with a similar conclusion. “It is my hope,” he said, “that we can use the urban agricultural movement to empower people. We are not just victims; we can begin to reshape our society.”

Malik explained the goals of his organization: farming, policy work, and food co-operatives designed to strengthen communities through re-building our relationship to the land. For more on Malik’s views and activities, I recommend the interview with him on “A Breath of Hope, ” the current issue of FLYP which can be found here.

Lisa Richter, a panelist representing the Capuchin Soup Kitchen and Earthworks Urban Farm, emphasized the power of cooperative relationships, especially in urban agriculture. She pointed out the need to create interactive learning environments in Detroit in order to strengthen and further build the urban agricultural movement. “ We need to learn from and teach others in our communities so that the evolution of cooperation in urban gardening can be maximized. There is more than enough opportunity for everyone to contribute. If communal and individual transformation is to occur, everyone must contribute in some capacity. “ “A Breath of Hope” also includes an interview with Lisa.

Before the floor was opened up for discussion, Malik pointed how “Cooperation gives us a mirror, a way of looking at ourselves.”

The opportunities for reflection provided by urban agriculture cannot be over-emphasized. A few months before his assassination in 1968, Martin Luther King, Jr. wrote a little book “Where do we go from here?”whose title reminds us of the urgent need for reflection in this period.

It resonates in the indefatigable dedication to pursuing communal and individual transformation at the Boggs Center in Detroit . It is echoed in organizations such as Friends of Detroit in the Hope District, Detroit City of Hope, and the Catherine Ferguson Academy. Each in its own way demonstrates our growing need to develop our relationships with each other and the Earth.

Let us reflect on where we have been and move towards a healthier, more communal, more sustainable way of life.

Tuesday, January 27, 2009

Community (Dis)Service

 

The (Un)Sustainability of Community Service: A Service Worker's Assessment

As we witnessed a historic presidential election, one devoted to, among myriad other platforms, national service, I embarked on a one year commitment to Detroit and its surrounding communities via AmeriCorps. Primarily, my job would be tutoring students in Detroit's public schools in hopes of creating a functional and quantitative parity between Detroit's students' cognitive development and national averages. As the program progressed, it became apparent to me that the notion of “community service” was merely a concept of utility. Seemingly, the premise is designed for an individual to satisfy a temporary commitment to communal values, then pass the proverbial torch on to another individual or group. Performing “community service” has become as mechanical as assembly production; in my case, tutoring a child from 8-5 is ostensibly no different than the robotic production of any commodity. Consequently, community values such as mutualism and interdependency are absent from community-based volunteer service. More disturbingly, though, is the absence of humanism from what has turned out to be a statistically-oriented sector. Ultimately, my program's litmus for success is quota satisfactions: teams are placed in schools assigned with the tasks of increasing students' grades through tutoring and enticing them to attend after-school programs; at the end of the year, each category is compared against minimum–corporate–statistical standards which determine whether or not specific teams receive funding and are invited back the following year; if an invitation is not extended, or corporate sponsors philanthropically withdraw, the schools receiving service become jetsam, left for decay amongst other jettisoned community buildings in order to maintain institutional financial buoyancy.

 Contrary to my program's proclamation that its primary concern with combating systemic impediments prohibiting students' “potential” is its collusion with systemic inequities that perpetuate the growing problem of drop-outs and collegiate unpreparedness. In addition to the problem of quota prioritization, an equally, if not more, eminent concern is the concession to pedagogical impotence. As teams enter their schools, team members' primary focus is shadowing classroom pedagogy in tutoring sessions. Rather than having the latitude to relate to students in ways that are uniquely applicable to their communal and environmental circumstances, tutors must replicate the monolithic indoctrination of students with mind-numbing information. Unfortunately, the concept of educating students is predicated on repetition and mimesis. Learning basic skills is important and in order to do so often involves repetitive learning; unfortunately, curricula beyond early cognitive development do not break from this pattern. It is no wonder, then, that students, as many have before our current generation, prefer more stimulating alternatives to memorizing facts that serve no purpose in their lives. While, indeed, government subsidized community service is an important aspect in fulfilling humanistic obligations, its misdirected nature tends to both arrest the development of meaningful community relationships and promulgate a diffuse social climate (note: I should point out that the concern expressed with my government program does not imply all similar programs are deficient; just the same, I believe that there is a lesson to be learned regardless of their competence or incompetence).

The point of contention underlying automatous government programs is seemingly veiled behind the notion that a simple one or two year contract filling vacant jobs or dedication to ailing economies is part of a collective panacea in resolving social issues. However, a collective group of national volunteers being placed in community homes, schools, and offices in an effort to either enhance employment qualifications, react to sympathy, minimize leisure time, or simply contribute to “the cause” can often times possess a superficial aura. In my experience with AmeriCorps since the job began, the work that is accomplished daily tendentiously perpetuates this superficiality: it is not sustainable, but rather a maintenance of the institutional deficiencies that continue, for example, to promote poor academic performance and academic apathy. A veteran Detroit activist aptly explained to me recently that one of the program's biggest flaws is that it is remedial. As a result, it is more inclined to regress and eventually stagnate because its primary focal point is retrospective. Until recently, I also ascribed to remediality in attempting to address and resolve social problems. What has become apparent, though, is how inadequate this approach truly is. This is not to say that engaging in historical legacies and inequities is malapropos, but it is to suggest that historical recovery is not what is needed in pursuing progress. Contemporization of social problems that have hypertrophied due to historical neglect is much needed at this nexus of history and future. Recognition of what has not worked in the past in order to move forward is how history should be addressed. We are in need of creative dynamisms that will propel developmental progress, even if that means the disruption of pre-existing systems onto which many of us still grasp. Education is one field in desperate need of this transformation. In order for sustenance to be realized, programs such as mine must pursue new paradigms that will impede the stasis it is maintaining.

One of the primary factors contributing to the terminal nature of the service I perform is that, again, there is no immediate goal identified to buttress the students' performance. As high-school drop-out rates continue to rise at exponential rates, a greater level of importance needs to be associated with education beyond anachronistic explanations that suggest making these motions is the only option available if one is to be successful. These blanket statements, though, neglect the possibility of more meaningful education. As technology grows and plays a larger part in our daily lives, incorporating technological advances into school curricula would be one emendative option that associates greater significance to the material being learned. Indeed, technological equipment is expensive and difficult to acquire, especially with a drying resource budget. However, incorporating cinematographic media in developmental learning, or at least granting students the flexibility to respond visually to assignments, may enhance the value placed on education. Moreover, moving beyond archaic pedagogies that produce proficiencies in histories, mathematics, and language arts that are inapplicable to students' lives is of immediate importance if education is to be considered worthwhile. These subjects must not be grappled with abstractly, but concretely: how do they apply to the students' daily lives at home and in their communities? Most importantly, the lessons must not be restricted to traditional classroom settings; they must be conducted outside of the classroom, in local and peripheral communities within the city's radius. Lastly, providing students the opportunity to teach their lessons, establish their pedagogical styles, will create a more dynamic, engaging, and developmental class from which all–faculty included–will benefit.

Beyond attempting to overcome pedagogical inadequacies, my program has made little effort in transcending the systemic contradictions that preclude meaningful communal transformation. Moreover, its participants–myself included–have been effectively eliminated from contributing to a positive transformation. Despite numerous efforts to understand and work with my program's philosophy, those of us interested enough in seeing it become better than it is have simply been silenced. While this is indeed frustrating, such experiences lend further credence to the ineffectiveness of government sponsorship. At an orientation session during the early stages of my program, one of the directors explained that in pursuing the program's mission, its goal was to create the most effective, idyllic democracy in order to maximize its objectives' efficacy. Similar rhetoric was espoused during my interview, during conversations with recruitment managers and other volunteers, and continues to be articulated on websites and other promotional media. Not only do such conceptual abstractions leave one confused–as I have been–as to how to reify success, but the question to be asked following such lofty articulations is: whose democracy, and how is democracy defined? Given the democratic failures of so many individuals and communities, is the gratuitous development of democratic principles appropriate, and will it be effective? Indeed, democratic values and principles effectuated the blighted conditions many Detroit public schools experience and the reason my program exists in the first place. Are democratic principles truly the foundation on which service organizations should be built? Or possibly, this democratic promotion is in the interest of government subsidized programs as blight secures jobs and revenue. As democracy in the critical context is correlative with capital gain, is profiteering and, its counterpart, exploitation, a sustainable service for communities' welfare?

In addition to abstract manifestations regarding realizing success, the program appropriates the values of notable figures such as Martin Luther King, Jr. and Mohandas Gandhi in its endorsement of community-based work (i.e., “the beloved community”) and embodying love (i.e., “an eye for an eye makes the whole world blind”). While on paper the program's values seem to match mine in numerous ways, its praxis, paradoxically, contradicts its theory. As many of us have learned, though, the pen of the law and spirit of the law do not always parallel one another. The (mis)appropriation of committed humanitarians such as King and Gandhi has created a sour taste in the mouths of quite of few of my co-workers as they question whether or not its utilization of these images can possibly be idyllic or merely a matter of duplicitous exploitation. Unable to maintain King's ideological beloved community, my program's commitment to the communities in which it is placed is negligible, rarely working outside of the schools served to build the strong community relationships it suggests is important to forge. In the name of  “being the change we wish to see in the world,” the question I pose to my program is how can you possibly catalyze change while simultaneously satisfying corporate financiers, who themselves have no obligation to the communities in which they are embedded? How can mere words, not action, produce a meaningful transformation in any community?

In attempting to resolve the dichotomy between actively developing community relationships and promoting community sustenance, and perpetuating the machinations of impersonal community interactions, I believe it is important that government subsidized community service programs devote significant time to a tripartite agenda:

  • Create a venue for honest, meaningful discourse, that will identify both the incipient and immediate missions of the organization, and how those missions will be able to immediately impact the communities with whom the organization is working, as well as build a foundation for moving forward.
  • Narrow the scope of the mission so that it is not as abstract, diffuse, and incapable of being realized; goals should be established, but ones that are easily attainable within the duration of the program's contract. It is important to keep in mind that these goals should be concrete, not  intangible concepts such as promoting and perpetuating an “effective democracy.”
  • Most importantly, government subsidized organizations must work with existing programs in communities that are being “served.” One of the most vicious agents of division is the sense of anonymity, arrogance, and self-interest (e.g., directors at my program recently acknowledged that my program was the premier service organization in Detroit; not only is this statement hyperbolic, but it is illegitimate as my program neither collaborates nor is familiar with all community-based programs in the city). Government sponsored community service programs must understand that in order to transform the communities in which they work, such an arduous task presupposes the cooperation with all other community organizations and members. Additionally, the discursive venues that are created should be open to all organizations and members, and the missions of the subsidized organizations should be synchronized with those groups and individuals.

While government sponsored volunteer programs are positive steps towards progress, they also have the potential and tendency to inhibit the type of progress that must occur at this point in post-industrial history. Institutional processes are mechanistic, like rotating cogs, so maybe it is not terribly surprising that government subsidized “community service” programs are mechanical as well. However, in order to humanistically enhance such programs, there must be greater collaboration amongst all communal agents; there must be a contemporary assessment of the direction of these communities, and of this country; and there must be a greater commitment to conflating the espousal of ideals and their practice. In order to fully benefit from the programs that we will see in greater prominence over the next few years, there must be increased accountability amongst these programs, not just to their federal and corporate sponsors, but to the communities they serve.

 

Sunday, January 18, 2009

Open Letter to President Obama (featuring Black Popular Music)


In two days Americans will laugh, cry, and spit (depending on your racial tastebuds) in recognition of the next American President Barack Hussein Obama.

In honor of the 44th President I offer a few words on Hope and Change...

President Obama,
Last November I was "Bewitched, Bothered, and Bewildered" thinking that you might not win. When the results came in I screamed OBAMA all the way home. With that I say Thank You for giving the American Presidency a Black "I".
"For All We Know" people will always say "U, Black Maybe" but I don't care. All I ask, Mr. President, is that you "Be Real Black For Me." Be intellectual, smooth, political, human, encouraging, insightful, and positive. Most importantly, "Stand":
In the end you'll still be you
One that's done all the things you set out to do
Stand
There's a cross for you to bear
Things to go through if you're going anywhere
Stand
For the things you know are right
It s the truth that the truth makes them so uptight
Stand
All the things you want are real
You have you to complete and there is no deal
Stand. stand, stand


You hold the highest office in the land and many people will clamor for you time, energy, and power. The "Backstabbers" are there and "Smiling Faces" tell lies. Often times "Whatcha See is What You Get" and you'll find yourself saying "Hey You, Get Off My Mountain" to many people. You know from all the Chicago drama that "Ain't No Love in the Heart of the City" so don't let them get you trapped in keeping it real (Compared to What?).

"Keep Your Head to the Sky" Obama because Tuesday will be a "Lovely Day"

Peace love and soul Pres

D. Carter

Saturday, January 17, 2009

University of Iowa MLK Celebration of Human Rights


Check the link below for a list of MLK Celebration events at the University of Iowa
(click here)

Thursday, January 15, 2009

Berry Gordy on the Tavis Smiley Show


Click here to view the full Berry Gordy Interview.

peace

Wednesday, January 14, 2009

City of God's Son: Hiphop Cinema

Natalie Dylan: Accidental Hero!?!

I've avoided reading news about Natalie Dylan for a long time now. I really didn't want to know anything about the famous "virginity auction" going on, but I was drawn in by the most vulgar aspect of the exchange: the price! As of today, the Huffington Post is reporting that the bidding has reached $3.7 million. So I was finally suckered into checking out the "news."



I'm still investigating the phenomenon. But here's where I stand on the issue:

  1. I find nothing exceptional about her except that she sounds like she might be the most compelling conversation on the planet right now. At this point, I'd pay for dinner just to discuss economics with her.
  2. She's obviously working with Second Wave logic as far as her justification for making this "indecent proposal"
  3. I support her generally.
  4. I support her entirely under particular conditions
  5. She disgusts me.
I'll explain: I don't think she's all that "gorgeous"--whatever that means--at least not 3.7million hott. I don't understand the appeal. Then again, she's not necessarily my "type." (as if i really have a type) But what I do know is that she has a Bachelor of Science in Women's Studies. I presume, since she is a virgin (taking her at her word), that she was "saving" her virginity for some reason or other. Most likely for marriage, but just as likely because she simply hadn't found anyone worthy of her flower. (this chivalric virginity-lust crap annoys me probably more than the vulgar bid) Nevertheless, she's giving it up after completing a degree in women's studies. Likely, she's studied second wave feminism--which happened to include a lot of discussion about sex, its meaning, its power and means for women to reclaim their bodies through it. (I haven't studied it much, but I have a working knowledge of the logic.)

I imagine that she, in part concluded that capitalizing upon her virginity was one way of reclaiming her sexuality since, no matter what the top bidder thinks, he hasn't claimed anything by his expensive conquest because she has retained her sexual autonomy in the exchange--as proven by profits; alternately, giving your virginity to your husband for the rest of your life, while a very romantic gesture, is meaningless unless the gesture is returned. It also is inevitably a means of sacrificing your sexuality to a person, and thus, a forfeiture of your body and your corporeal autonomy. More or less, by selling her body for a night, she is able to own it for a lifetime. The more they pay, the more proof she has that she has the power is in her hands since I imagine that there will be some sort of contract involved with some sort of legal limitations upon the highest bidders lust. (not to mention that there's a fairly decent statistical chance that the winner will be impotent, but that couldn't possibly be her luck?)

If, by some chance she's lying about her "plans to finance her graduate school education in marriage and family therapy from the proceeds of the virginity auction," and chooses to continue studying women's studies, she would, naturally, have more material than is reasonable to work with in regards to her graduate studies. She could re-ignite the flames of the second wave by herself! She could, hypothetically, launch herself to the forefront of the field simply by studying...well, stuff like what I'm writing now. If she were able to procure and analyze all of the media--including blogs and comments to those blogs--regarding her deflowering she could write an encyclopedia on women's sexuality in the new millenium. And she'd probably be a best seller when the book was published. And her memoirs! She'd make as much or more than Superhead.

Here's where she loses me: I think that she failed to anticipate the attention she's receiving from the media. Due to the reckless eyeball of the media, she's become something just short of a household name. She might, by accident, gain Paris Hilton notoriety and incidentally encourage young girls to take advantage of "the world's oldest profession" to turn a profit. There's nothing empowering in a copycat! By Natalie's actions, she runs the risk of further running the dreams of ambitious little girls into the gutter. Though I don't feel that it is Natalie's responsibility to care for the sexual well-being of the younger generations, she will have some impact. That's now unavoidable, whether she goes through with the auction or not. The most significant aspect for future generations will be the legitimacy of the bids; thus, stealing her rhetorical agency on the world stage. While she still has a chance at becoming a commanding leader in (feminist) academia, she has little control over where it will go after the deed is done. I am disgusted, not really by her, but by what the auction will mean in the future--speaking from a present when even children keep up on all of the celebrity sex tapes, and all of their idols are making one.

If Natalie Dylan just so happens to pursue a career in academia, rather than becoming a marriage and family counselor, as she bathes away the ripe stench of baptismal sweat from her newly liberated body in a golden bathtub full of rose petals, she will sincerely ask herself: Where do WE go from here?

Three Icons and the Worlds They Left Behind


From Negritude 2.0 by Mark Reynolds (popmatters.com)

Much was made of how Bernie Mac and Isaac Hayes were linked by more than just their deaths on the same August weekend. They both represented a certain generation and caliber of strong black man, proud and solid citizens enjoying respect and admiration for how they both performed and handled their business. But aside from the movie Soul Men, they came from different quadrants of the black pop universe, and otherwise weren’t usually mentioned in the same context.

Miriam Makeba, Odetta and Eartha Kitt, on the other hand, share much more in common than the proximity of their passings (Makeba shortly before Thanksgiving, Odetta shortly afterwards, and Kitt on Christmas Day). They broke new ground in their respective corners of the musical universe. They had their greatest impact in an era charged with upheaval across racial, geopolitical and cultural lines. They provided new images of what strong, self-assured black women could look like. They enjoyed respect and admiration years after their heydays.

(read more)

Tuesday, September 02, 2008

Gordon Parks (1912-2006)

Photo of the Week:



Apr. 1943, New York, New York. A trio of musicians from Duke Ellington's orchestra during the early morning broadcast.

By Gordon Parks


Book of the Week:
A Choice of Weapons by Gordon Parks


Website of the Week:
Farm Security Administration (FSA) and Office of War Information(OWI)
Unit on Gordon Parks


Film of the Week:
The Learning Tree (1969)
based on a novel by Gordon Parks

Tuesday, August 26, 2008



Quote of the Week:
"Books more than anything else taught me to be a drunkard long before I knew how to drink. The state of drunkeness--that extended sense of well-being and power that floods the soul and makes it hard to walk straight, or to think straight at all--became as familiar one to me as I imbibed a heady brew of literary glories--and was equally intoxicated by magazines, newspapers, movies, whereever stories were found, all stewing around in my mind in a wash of dreams. And out of it all, I almost became a writer. Almost, but not quite."

Ossie Davis

Book of the Week

With Ossie and Ruby: In This Life Together
by Ossie Davis and Ruby Dee

Monday, August 11, 2008

Book of the Week:
Is Bill Cosby Right? (Or Has the Black Middle Class Lost Its Mind?)
by: Michael Eric Dyson

Quote of the Week:
"Therefore, you have this pile up of these sweet beautiful things born by nature, raised by no one. Give 'em presents. You're raising pimps. That's what a pimp is. Pimp act nasty to you so you have to go out and get 'em something. Then you bring it back and maybe he or she will hub. And that's why pimp is so famous for them" Bill Cosby on black family values (see the entire speech)

Guess who's back...............

It's been a long time...

After a very productive spring and summer semester, I'm back! I am beginning my PhD in a couple of weeks and I am very excited. In order to keep myself in line and make sure I share the great information I'm coming across, I'm dedicating myself to reading at least 2 books a week (with written reviews). I will present one of the texts online every Tuesday along with a quote. Every now and then I will try to introduce a theme of some sort so stay tuned.

til tomorrow...

D

Sunday, March 30, 2008

Book CFP: Reflections on the N-Word: Black Females Speak

FP Deadline: November 1, 2008.

Purpose of Project
Through writing and visual art, this project will help to give voice to the Black identified females who want to express their perceptions of, experiences with, and concerns about, the word “nigger”.

Theoretical Framework and Influences

bell hooks' black looks , Tim Wise , Audre Lorde's Sister Outsider , Maya Angelou's powerful keynote speech at the Rhinebeck NY Women and Power Conference of September 2005, and James Baldwin's The Fire Next Time and my interests in Critical Race Feminist Theory have been my primary motivators for this project. I also draw from Michel Foucault's theories on power and Paulo Freire's Pedagogy of the Oppressed. I must thank Maya Angelou for her encouragement and inspiration. At the September conference, with engaging passion, she recited Countee Cullen's Poem, “Nigger” , and from there, the initial concept of this project was born.

The first time I remembered being called a “nigger”, I was the age of twelve. Though it took me more than a decade to fully articulate my experience of that day, it had always astounded me how much rage and fear that word had instilled in me. It wasn't until fifteen years later that I began to understand how profoundly emotional and often traumatic that this one word has been to a majority of Black identified people who have been survivors of it, including myself. It was through reading bell hooks, June Jordan, W.E.B. DuBois, Lorraine Hansberry, James Baldwin and other "resisters of oppression" as well the expression of fiction book writing that I was able to explore my emotions as well as my understanding of my social status as a Black female in a country in which institutionalized sexism, heterosexism, classism and racism is embedded in the institutions and policies of the status quo. It was in the pages of bell hooks that I first ran across her critical consciousness paradigm, inspired by her mentor, Paulo Freire. Through this practice, I was able to understand my relationship with race, class, sexuality, and gender status within a United States steal healing (and in denial) about its sordid history of racialized oppression. Simultaneously, I also wanted to understand these systems of inequalities but not be solely defined or limited by them. I stopped thinking of my position as a "victim" and realized that I am a "survivor" capable of making positive change through the voicing of my experiences.

"I have come to believe over and over again that what is most important to me must be spoken, made verbal and shared, even at the risk of having it bruised or misunderstood."
- Audre Lorde

"We are the ones we've been waiting for."

- Sweet Honey in the Rock

Black identified women and girls, come forth and share your experiences, critiques and reflections on “the n-word”.

Call for Papers/Materials!! Submit Your Voice

This is a call for narratives, poetry, photography, other types of visual art, and critical essays for a book anthology about Black identified females who want to :

* creatively convey their experience(s) of being called a n*gger
* Reflections on the word n*gga
* How experience with the n-word has affected your emotional and or physical health
* Share their experiences of when they had heard or seen the word even though it may not have been directed towards them.
* Explore how did being called the n-word as a child shaped your consciousness as an adult?
* Reflect on how you felt when you read the n-word in required school readings such as Huckleberry Finn and Grapes of Wrath.
* Analyze David Chappelle's use of the n-word in his comedy
* Share your reactions and feelings when hearing the n-word in a public space, such as in a movie theater by a character in the movie.
* Critique your experiences with the n-word or hearing it by a friend or family member.
* Teaching your child about the n-word.
* If you read Randall Kennedy's book, Nigger, or any other book with the n-word in it's title, what was it like for you?
* These topics are just for brainstorming purposes. The sky's the limit!

Who is invited to submit their voice :
All Black identified girls and women from all sexual orientations, educational levels, nationalities, countries, ages, etc. Please send to breezeharper@gmail.com. Remember to include a bio at the end of you contribution, email and phone number.

Citation Style: MLA Bibliography
Document Format: 1” margins; 12 Point Font; Double spaced; Times New Roman
Word Processing Software: MS Word or Apple Pages is an acceptable document format. Please do not send PDFs.

About the editor: Amie Breeze Harper is a PhD student at the University of California, Davis, in the Geography Graduate Group. Her emphasis is understanding how critical race and feminist theories can be used to analyze the African Diasporic female experience within alternative spaces of nutrition and wellness (i.e.: veganism, vegetarianism, raw foodism, community gardens). She is the editor of the upcoming Lantern Books anthology, Sistah Vegan! Food, Identity, Society and Health: Female Vegans of the African Diaspora in the USA and the author the 2008 Arch Street Press novel, Scars.

I look forward to reading your contributions!

Amie Breeze Harper
breezeharper@gmail.com
A. Breeze Harper
breezeharper@gmail.com
(617) 877-2096
Email: breezeharper@gmail.com
Visit the website at http://web.mac.com/sistahvegan98/iWeb/research/Reflections_on_the_N_Word_Anthology.html

Men Speak Out



Well folks,
I'm completing my final semester of undergraduate study! Since I have devoted most of my time to my remaining coursework, here is my belated plug for Men Speak Out.

Amazon:
Editorial Reviews
Book Description

Men Speak Out is a collection of essays written by and about pro-feminist men. In the essays, which feature original, lively, and accessible prose, anti-sexist men make sense of their gendered experiences in todays culture. And since the interrelations between gender, race, class, and sexuality are central to feminism, Men Speak Out prioritizes such issues. These authors tackle the issues of feminism, growing up male, recognizing masculine privilege, taking action to change the imbalance of power and privilege, and the constraints that men experience in confronting sexism. They describe their successes and challenges in bucking patriarchal systems in a culture that can be unsupportive of or downright hostile to a pro-feminist perspective. In these chapters, a diverse group of men reflects on growing up, shares moments in their day-to-day lives, and poses serious questions about being a pro-feminist male living, working, thinking, and learning in a sexist society.

Wednesday, March 05, 2008

Call for Papers: Black Star's 10th Anniversary

In honor of Black Star’s ten-year anniversary, Proud Flesh is calling for
works that speak to the impact and legacy of their masterpiece album, Mos
Def and Talib Kweli are Black Star, for an upcoming journal
(www.proudfleshjournal.com).

Released in the fall of 1998, Mos Def and Talib Kweli are Black Star
re-energized the b-boy and backpacker face of Hip Hop with a heightened
analytic and deep consciousness of self and community. Taking their name
from Marcus Garvey and the UNIA’s 1920s shipping company (established to
move Black Americans to a Black state located in Liberia), Black Star,
conceptually and sonically, presented a wide and colorful depiction of
Black life and Black identity.
In contrast to much of the mainstream Hip Hop of that period, they
stressed that life should be more about “the struggle” than “the hustle,
”and critiqued viewpoints that conceived of Black culture in only singular
terms. On “Definition,” Mos Def raps: “Manhattan keep on makin it,
Brooklyn keep on takin it, so relax we're takin it back, Redhook where
we're livin at. Plenty cats be struggling not hustlin and bubblin, if it
ain't about production and -- what else we discussin?” Black Star
chronicled Black folks’ ability and tenacity to produce via work,
language, the arts, communal culture, and cultural production.
A decade has passed since the release of this monumental album. More than
a hot album, this thirteen-track masterpiece continues to offer a
theoretical and practical analysis of urban Black culture and politics,
and a grass-roots base of knowledge that is not adequately engaged. By
stating in their album’s introduction that their music was not meant to
“stand still,” the group signaled that their conception of time and space
did not adhere to the linearity of common epistemological standards.

Acknowledging their point that the music cannot and should not stand
still, Proud Flesh is calling on writers, academics, artists, community
activists/organizers, and fans to submit essays, poems, prose,
photography, graphic artwork, etc., detailing how this album has impacted
your work and your life. Included in this are critical analyses of the
album and/or individual songs, works that place the album and/or songs
within a broader context and legacy (historical, political, social,
artistic), and works that speak to the album's continued relevance.

We are asking that all works be submitted by May 1, 2008 to:

blackstarproject@gmail.com

Visit Proud Flesh at http://www.proudfleshjournal.com/
for more information.

Wednesday, February 27, 2008

N(as)igger

Nas upcoming album, "Nigger," is set to release on April 22.









1. Intro
2. Black Legends
3. Rest In Peace
4. You A Nigger Too
5. The Fear Of A Black Man’s Dick
6. I’m Blessed
7. The Truth
8. Realise
9. Just Memories
10. This Way (featuring Jay-Z)
11. Kisses & Hugs (featuring Kelis)
12. Based On A True Story (featuring The Game)
13. Take A While
14. Nigger
15. Publicity (bonus track)

Friday, October 26, 2007

Call for Paper: Imagining the Black Female Body

Text and Contexts in Literature and Culture

Hortense Spillers said it best when she proclaimed: Let’s face it. I am a marked woman, but not everybody knows my name. ‘Peaches,’ and ‘Brown Sugar,’ ‘Sapphire’ and ‘Earth Mother,’ ‘Aunty,’ ‘Granny,’….or ‘Black Woman at the Podium.’ I describe a locus of confounded identities, a meeting ground of investments and privations in the national treasury of rhetorical wealth. My country needs me, and if I were not here, I would have to be invented. Spillers’ posturing points to the complex and delicate challenges black women encounter in the minefield of mental, spiritual, and cultural “codings” that, as Spillers stresses, create markers of identity so loaded with mythical prepossession that there is “no easy way for the agents buried beneath to come clean.”

But what is it about black women’s identity that makes them marked women? What is it about their presence—their essence—that makes them a threat in some social circles? Much of this uneasiness can be traced to the tension that exists between the real and imagined properties of black womanhood that circulate in America’s Grammar book (borrowing from Hortense Spillers). This book, a virtual roadmap of the history that has created and sustained the false imaginings of a culture bent on promoting whiteness and its privileges, distorts the ideal of black womanhood.

What this volume proposes to do is explore the various “imaginings” of the black female body in print and visual culture, sports, America’s iconic landscape (i.e. the mammy figure and the video vixen), politics, and law. Contributors can also write on literature, science, music, photography, or the fashion industry. Papers should discuss not only how this black female body is framed, but also how black women (and their allies) have sought to write/rite themselves back into these social discourses on their terms. It is my hope that this volume will create a dialogue with other outstanding volumes on the black female body.

If you are interested in being a part of this book, please forward to me an abstract by January 15, 2008. Entire papers will be due by September 1, 2008. You can send your abstract via email to ceh@udel.edu. Or you may send your abstract by landmail to:

Dr. Carol E. Henderson
Associate Professor of English and Black American Studies
212 Memorial Hall
University of Delaware
Newark, DE 19716.

Monday, October 15, 2007

Hip Hop Jam

We seek engaging and accessibly written essays for a proposed edited collection of close analyses of hip hop music. Tentatively titled, The Hip Hop Jam: Messages and Music, this collection examines hip hop music from multiple micro-level, up-close perspectives. We seek to help the music and its messages come alive one song at a time.

Each submitted essay should focus on one song by any artist in any hip hop musical genre. We welcome submissions from scholars across disciplines that apply their tools of interpretation, their ways of reading and listening, to the analysis of one song each.

Each close reading should examine lyrical and/or musical form and content in detail as well as consider how history, gender, sexuality, race, class, political, geographical, religious, and/or economic issues inform the song. Essays should be free of esoteric discipline-specific argot. Aim for an undergraduate readership. The goal is to illuminate what can be made of the rich complexity of hip hop music if one stops and takes the time to listen and to analyze.

Authors should submit an abstract of 250 words and a CV by December 15, 2007. The abstract should contain the author’s name, contact information, and the working title of the proposed analysis. Proposed manuscripts should be original work not concurrently submitted elsewhere. Only electronic submissions will be accepted. Accepted authors will be notified by January 31, 2008. Ten to twelve page MLA formatted manuscripts will be due on May 31, 2008.

Abstracts and inquiries should be forwarded to the Hip Hop Jam Editorial Board: Ebony Utley, Jordan Smith, Christina Zanfagna, and Loren Kajikawa at hiphopjam08@gmail.com.
Email: hiphopjam08@gmail.com
Quote of the Week

If I didn't define myself for myself, I would be crunched into other people's fantasies for me and eaten alive

Audre Lorde

Event of the Week
KU Press Release

Civil rights leader, congressman to receive Dole Leadership Prize

LAWRENCE — Legendary civil rights activist U.S. Rep. John Lewis, D-Ga., will receive this year’s Robert J. Dole Leadership Prize from the Dole Institute of Politics at the University of Kansas. Roll Call magazine has called Lewis “a genuine American hero and moral leader who commands widespread respect in the chamber.”

The program takes place at 7:30 p.m. Sunday, Oct. 21, at the Lied Center. Tickets are required but are free.
(click here for more info)

Goal of the Week:
Undergraduates!!!
It is time for midterms. Most of you have probably taken your exams and many of you are recovering from them as I type this message. Your challenge for this week is to make an appointment with 2 or more of your professors and discuss your progress. If you are having a rough time in class, this is the time address your strategy for the remainder of the semester. This is your second chance (should you need it) so take the initiative and be progressive.

Peace