Sunday, January 18, 2009

Open Letter to President Obama (featuring Black Popular Music)


In two days Americans will laugh, cry, and spit (depending on your racial tastebuds) in recognition of the next American President Barack Hussein Obama.

In honor of the 44th President I offer a few words on Hope and Change...

President Obama,
Last November I was "Bewitched, Bothered, and Bewildered" thinking that you might not win. When the results came in I screamed OBAMA all the way home. With that I say Thank You for giving the American Presidency a Black "I".
"For All We Know" people will always say "U, Black Maybe" but I don't care. All I ask, Mr. President, is that you "Be Real Black For Me." Be intellectual, smooth, political, human, encouraging, insightful, and positive. Most importantly, "Stand":
In the end you'll still be you
One that's done all the things you set out to do
Stand
There's a cross for you to bear
Things to go through if you're going anywhere
Stand
For the things you know are right
It s the truth that the truth makes them so uptight
Stand
All the things you want are real
You have you to complete and there is no deal
Stand. stand, stand


You hold the highest office in the land and many people will clamor for you time, energy, and power. The "Backstabbers" are there and "Smiling Faces" tell lies. Often times "Whatcha See is What You Get" and you'll find yourself saying "Hey You, Get Off My Mountain" to many people. You know from all the Chicago drama that "Ain't No Love in the Heart of the City" so don't let them get you trapped in keeping it real (Compared to What?).

"Keep Your Head to the Sky" Obama because Tuesday will be a "Lovely Day"

Peace love and soul Pres

D. Carter

Saturday, January 17, 2009

University of Iowa MLK Celebration of Human Rights


Check the link below for a list of MLK Celebration events at the University of Iowa
(click here)

Thursday, January 15, 2009

Berry Gordy on the Tavis Smiley Show


Click here to view the full Berry Gordy Interview.

peace

Wednesday, January 14, 2009

City of God's Son: Hiphop Cinema

Natalie Dylan: Accidental Hero!?!

I've avoided reading news about Natalie Dylan for a long time now. I really didn't want to know anything about the famous "virginity auction" going on, but I was drawn in by the most vulgar aspect of the exchange: the price! As of today, the Huffington Post is reporting that the bidding has reached $3.7 million. So I was finally suckered into checking out the "news."



I'm still investigating the phenomenon. But here's where I stand on the issue:

  1. I find nothing exceptional about her except that she sounds like she might be the most compelling conversation on the planet right now. At this point, I'd pay for dinner just to discuss economics with her.
  2. She's obviously working with Second Wave logic as far as her justification for making this "indecent proposal"
  3. I support her generally.
  4. I support her entirely under particular conditions
  5. She disgusts me.
I'll explain: I don't think she's all that "gorgeous"--whatever that means--at least not 3.7million hott. I don't understand the appeal. Then again, she's not necessarily my "type." (as if i really have a type) But what I do know is that she has a Bachelor of Science in Women's Studies. I presume, since she is a virgin (taking her at her word), that she was "saving" her virginity for some reason or other. Most likely for marriage, but just as likely because she simply hadn't found anyone worthy of her flower. (this chivalric virginity-lust crap annoys me probably more than the vulgar bid) Nevertheless, she's giving it up after completing a degree in women's studies. Likely, she's studied second wave feminism--which happened to include a lot of discussion about sex, its meaning, its power and means for women to reclaim their bodies through it. (I haven't studied it much, but I have a working knowledge of the logic.)

I imagine that she, in part concluded that capitalizing upon her virginity was one way of reclaiming her sexuality since, no matter what the top bidder thinks, he hasn't claimed anything by his expensive conquest because she has retained her sexual autonomy in the exchange--as proven by profits; alternately, giving your virginity to your husband for the rest of your life, while a very romantic gesture, is meaningless unless the gesture is returned. It also is inevitably a means of sacrificing your sexuality to a person, and thus, a forfeiture of your body and your corporeal autonomy. More or less, by selling her body for a night, she is able to own it for a lifetime. The more they pay, the more proof she has that she has the power is in her hands since I imagine that there will be some sort of contract involved with some sort of legal limitations upon the highest bidders lust. (not to mention that there's a fairly decent statistical chance that the winner will be impotent, but that couldn't possibly be her luck?)

If, by some chance she's lying about her "plans to finance her graduate school education in marriage and family therapy from the proceeds of the virginity auction," and chooses to continue studying women's studies, she would, naturally, have more material than is reasonable to work with in regards to her graduate studies. She could re-ignite the flames of the second wave by herself! She could, hypothetically, launch herself to the forefront of the field simply by studying...well, stuff like what I'm writing now. If she were able to procure and analyze all of the media--including blogs and comments to those blogs--regarding her deflowering she could write an encyclopedia on women's sexuality in the new millenium. And she'd probably be a best seller when the book was published. And her memoirs! She'd make as much or more than Superhead.

Here's where she loses me: I think that she failed to anticipate the attention she's receiving from the media. Due to the reckless eyeball of the media, she's become something just short of a household name. She might, by accident, gain Paris Hilton notoriety and incidentally encourage young girls to take advantage of "the world's oldest profession" to turn a profit. There's nothing empowering in a copycat! By Natalie's actions, she runs the risk of further running the dreams of ambitious little girls into the gutter. Though I don't feel that it is Natalie's responsibility to care for the sexual well-being of the younger generations, she will have some impact. That's now unavoidable, whether she goes through with the auction or not. The most significant aspect for future generations will be the legitimacy of the bids; thus, stealing her rhetorical agency on the world stage. While she still has a chance at becoming a commanding leader in (feminist) academia, she has little control over where it will go after the deed is done. I am disgusted, not really by her, but by what the auction will mean in the future--speaking from a present when even children keep up on all of the celebrity sex tapes, and all of their idols are making one.

If Natalie Dylan just so happens to pursue a career in academia, rather than becoming a marriage and family counselor, as she bathes away the ripe stench of baptismal sweat from her newly liberated body in a golden bathtub full of rose petals, she will sincerely ask herself: Where do WE go from here?

Three Icons and the Worlds They Left Behind


From Negritude 2.0 by Mark Reynolds (popmatters.com)

Much was made of how Bernie Mac and Isaac Hayes were linked by more than just their deaths on the same August weekend. They both represented a certain generation and caliber of strong black man, proud and solid citizens enjoying respect and admiration for how they both performed and handled their business. But aside from the movie Soul Men, they came from different quadrants of the black pop universe, and otherwise weren’t usually mentioned in the same context.

Miriam Makeba, Odetta and Eartha Kitt, on the other hand, share much more in common than the proximity of their passings (Makeba shortly before Thanksgiving, Odetta shortly afterwards, and Kitt on Christmas Day). They broke new ground in their respective corners of the musical universe. They had their greatest impact in an era charged with upheaval across racial, geopolitical and cultural lines. They provided new images of what strong, self-assured black women could look like. They enjoyed respect and admiration years after their heydays.

(read more)

Tuesday, September 02, 2008

Gordon Parks (1912-2006)

Photo of the Week:



Apr. 1943, New York, New York. A trio of musicians from Duke Ellington's orchestra during the early morning broadcast.

By Gordon Parks


Book of the Week:
A Choice of Weapons by Gordon Parks


Website of the Week:
Farm Security Administration (FSA) and Office of War Information(OWI)
Unit on Gordon Parks


Film of the Week:
The Learning Tree (1969)
based on a novel by Gordon Parks

Tuesday, August 26, 2008



Quote of the Week:
"Books more than anything else taught me to be a drunkard long before I knew how to drink. The state of drunkeness--that extended sense of well-being and power that floods the soul and makes it hard to walk straight, or to think straight at all--became as familiar one to me as I imbibed a heady brew of literary glories--and was equally intoxicated by magazines, newspapers, movies, whereever stories were found, all stewing around in my mind in a wash of dreams. And out of it all, I almost became a writer. Almost, but not quite."

Ossie Davis

Book of the Week

With Ossie and Ruby: In This Life Together
by Ossie Davis and Ruby Dee

Monday, August 11, 2008

Book of the Week:
Is Bill Cosby Right? (Or Has the Black Middle Class Lost Its Mind?)
by: Michael Eric Dyson

Quote of the Week:
"Therefore, you have this pile up of these sweet beautiful things born by nature, raised by no one. Give 'em presents. You're raising pimps. That's what a pimp is. Pimp act nasty to you so you have to go out and get 'em something. Then you bring it back and maybe he or she will hub. And that's why pimp is so famous for them" Bill Cosby on black family values (see the entire speech)

Guess who's back...............

It's been a long time...

After a very productive spring and summer semester, I'm back! I am beginning my PhD in a couple of weeks and I am very excited. In order to keep myself in line and make sure I share the great information I'm coming across, I'm dedicating myself to reading at least 2 books a week (with written reviews). I will present one of the texts online every Tuesday along with a quote. Every now and then I will try to introduce a theme of some sort so stay tuned.

til tomorrow...

D

Sunday, March 30, 2008

Book CFP: Reflections on the N-Word: Black Females Speak

FP Deadline: November 1, 2008.

Purpose of Project
Through writing and visual art, this project will help to give voice to the Black identified females who want to express their perceptions of, experiences with, and concerns about, the word “nigger”.

Theoretical Framework and Influences

bell hooks' black looks , Tim Wise , Audre Lorde's Sister Outsider , Maya Angelou's powerful keynote speech at the Rhinebeck NY Women and Power Conference of September 2005, and James Baldwin's The Fire Next Time and my interests in Critical Race Feminist Theory have been my primary motivators for this project. I also draw from Michel Foucault's theories on power and Paulo Freire's Pedagogy of the Oppressed. I must thank Maya Angelou for her encouragement and inspiration. At the September conference, with engaging passion, she recited Countee Cullen's Poem, “Nigger” , and from there, the initial concept of this project was born.

The first time I remembered being called a “nigger”, I was the age of twelve. Though it took me more than a decade to fully articulate my experience of that day, it had always astounded me how much rage and fear that word had instilled in me. It wasn't until fifteen years later that I began to understand how profoundly emotional and often traumatic that this one word has been to a majority of Black identified people who have been survivors of it, including myself. It was through reading bell hooks, June Jordan, W.E.B. DuBois, Lorraine Hansberry, James Baldwin and other "resisters of oppression" as well the expression of fiction book writing that I was able to explore my emotions as well as my understanding of my social status as a Black female in a country in which institutionalized sexism, heterosexism, classism and racism is embedded in the institutions and policies of the status quo. It was in the pages of bell hooks that I first ran across her critical consciousness paradigm, inspired by her mentor, Paulo Freire. Through this practice, I was able to understand my relationship with race, class, sexuality, and gender status within a United States steal healing (and in denial) about its sordid history of racialized oppression. Simultaneously, I also wanted to understand these systems of inequalities but not be solely defined or limited by them. I stopped thinking of my position as a "victim" and realized that I am a "survivor" capable of making positive change through the voicing of my experiences.

"I have come to believe over and over again that what is most important to me must be spoken, made verbal and shared, even at the risk of having it bruised or misunderstood."
- Audre Lorde

"We are the ones we've been waiting for."

- Sweet Honey in the Rock

Black identified women and girls, come forth and share your experiences, critiques and reflections on “the n-word”.

Call for Papers/Materials!! Submit Your Voice

This is a call for narratives, poetry, photography, other types of visual art, and critical essays for a book anthology about Black identified females who want to :

* creatively convey their experience(s) of being called a n*gger
* Reflections on the word n*gga
* How experience with the n-word has affected your emotional and or physical health
* Share their experiences of when they had heard or seen the word even though it may not have been directed towards them.
* Explore how did being called the n-word as a child shaped your consciousness as an adult?
* Reflect on how you felt when you read the n-word in required school readings such as Huckleberry Finn and Grapes of Wrath.
* Analyze David Chappelle's use of the n-word in his comedy
* Share your reactions and feelings when hearing the n-word in a public space, such as in a movie theater by a character in the movie.
* Critique your experiences with the n-word or hearing it by a friend or family member.
* Teaching your child about the n-word.
* If you read Randall Kennedy's book, Nigger, or any other book with the n-word in it's title, what was it like for you?
* These topics are just for brainstorming purposes. The sky's the limit!

Who is invited to submit their voice :
All Black identified girls and women from all sexual orientations, educational levels, nationalities, countries, ages, etc. Please send to breezeharper@gmail.com. Remember to include a bio at the end of you contribution, email and phone number.

Citation Style: MLA Bibliography
Document Format: 1” margins; 12 Point Font; Double spaced; Times New Roman
Word Processing Software: MS Word or Apple Pages is an acceptable document format. Please do not send PDFs.

About the editor: Amie Breeze Harper is a PhD student at the University of California, Davis, in the Geography Graduate Group. Her emphasis is understanding how critical race and feminist theories can be used to analyze the African Diasporic female experience within alternative spaces of nutrition and wellness (i.e.: veganism, vegetarianism, raw foodism, community gardens). She is the editor of the upcoming Lantern Books anthology, Sistah Vegan! Food, Identity, Society and Health: Female Vegans of the African Diaspora in the USA and the author the 2008 Arch Street Press novel, Scars.

I look forward to reading your contributions!

Amie Breeze Harper
breezeharper@gmail.com
A. Breeze Harper
breezeharper@gmail.com
(617) 877-2096
Email: breezeharper@gmail.com
Visit the website at http://web.mac.com/sistahvegan98/iWeb/research/Reflections_on_the_N_Word_Anthology.html

Men Speak Out



Well folks,
I'm completing my final semester of undergraduate study! Since I have devoted most of my time to my remaining coursework, here is my belated plug for Men Speak Out.

Amazon:
Editorial Reviews
Book Description

Men Speak Out is a collection of essays written by and about pro-feminist men. In the essays, which feature original, lively, and accessible prose, anti-sexist men make sense of their gendered experiences in todays culture. And since the interrelations between gender, race, class, and sexuality are central to feminism, Men Speak Out prioritizes such issues. These authors tackle the issues of feminism, growing up male, recognizing masculine privilege, taking action to change the imbalance of power and privilege, and the constraints that men experience in confronting sexism. They describe their successes and challenges in bucking patriarchal systems in a culture that can be unsupportive of or downright hostile to a pro-feminist perspective. In these chapters, a diverse group of men reflects on growing up, shares moments in their day-to-day lives, and poses serious questions about being a pro-feminist male living, working, thinking, and learning in a sexist society.

Wednesday, March 05, 2008

Call for Papers: Black Star's 10th Anniversary

In honor of Black Star’s ten-year anniversary, Proud Flesh is calling for
works that speak to the impact and legacy of their masterpiece album, Mos
Def and Talib Kweli are Black Star, for an upcoming journal
(www.proudfleshjournal.com).

Released in the fall of 1998, Mos Def and Talib Kweli are Black Star
re-energized the b-boy and backpacker face of Hip Hop with a heightened
analytic and deep consciousness of self and community. Taking their name
from Marcus Garvey and the UNIA’s 1920s shipping company (established to
move Black Americans to a Black state located in Liberia), Black Star,
conceptually and sonically, presented a wide and colorful depiction of
Black life and Black identity.
In contrast to much of the mainstream Hip Hop of that period, they
stressed that life should be more about “the struggle” than “the hustle,
”and critiqued viewpoints that conceived of Black culture in only singular
terms. On “Definition,” Mos Def raps: “Manhattan keep on makin it,
Brooklyn keep on takin it, so relax we're takin it back, Redhook where
we're livin at. Plenty cats be struggling not hustlin and bubblin, if it
ain't about production and -- what else we discussin?” Black Star
chronicled Black folks’ ability and tenacity to produce via work,
language, the arts, communal culture, and cultural production.
A decade has passed since the release of this monumental album. More than
a hot album, this thirteen-track masterpiece continues to offer a
theoretical and practical analysis of urban Black culture and politics,
and a grass-roots base of knowledge that is not adequately engaged. By
stating in their album’s introduction that their music was not meant to
“stand still,” the group signaled that their conception of time and space
did not adhere to the linearity of common epistemological standards.

Acknowledging their point that the music cannot and should not stand
still, Proud Flesh is calling on writers, academics, artists, community
activists/organizers, and fans to submit essays, poems, prose,
photography, graphic artwork, etc., detailing how this album has impacted
your work and your life. Included in this are critical analyses of the
album and/or individual songs, works that place the album and/or songs
within a broader context and legacy (historical, political, social,
artistic), and works that speak to the album's continued relevance.

We are asking that all works be submitted by May 1, 2008 to:

blackstarproject@gmail.com

Visit Proud Flesh at http://www.proudfleshjournal.com/
for more information.

Wednesday, February 27, 2008

N(as)igger

Nas upcoming album, "Nigger," is set to release on April 22.









1. Intro
2. Black Legends
3. Rest In Peace
4. You A Nigger Too
5. The Fear Of A Black Man’s Dick
6. I’m Blessed
7. The Truth
8. Realise
9. Just Memories
10. This Way (featuring Jay-Z)
11. Kisses & Hugs (featuring Kelis)
12. Based On A True Story (featuring The Game)
13. Take A While
14. Nigger
15. Publicity (bonus track)

Friday, October 26, 2007

Call for Paper: Imagining the Black Female Body

Text and Contexts in Literature and Culture

Hortense Spillers said it best when she proclaimed: Let’s face it. I am a marked woman, but not everybody knows my name. ‘Peaches,’ and ‘Brown Sugar,’ ‘Sapphire’ and ‘Earth Mother,’ ‘Aunty,’ ‘Granny,’….or ‘Black Woman at the Podium.’ I describe a locus of confounded identities, a meeting ground of investments and privations in the national treasury of rhetorical wealth. My country needs me, and if I were not here, I would have to be invented. Spillers’ posturing points to the complex and delicate challenges black women encounter in the minefield of mental, spiritual, and cultural “codings” that, as Spillers stresses, create markers of identity so loaded with mythical prepossession that there is “no easy way for the agents buried beneath to come clean.”

But what is it about black women’s identity that makes them marked women? What is it about their presence—their essence—that makes them a threat in some social circles? Much of this uneasiness can be traced to the tension that exists between the real and imagined properties of black womanhood that circulate in America’s Grammar book (borrowing from Hortense Spillers). This book, a virtual roadmap of the history that has created and sustained the false imaginings of a culture bent on promoting whiteness and its privileges, distorts the ideal of black womanhood.

What this volume proposes to do is explore the various “imaginings” of the black female body in print and visual culture, sports, America’s iconic landscape (i.e. the mammy figure and the video vixen), politics, and law. Contributors can also write on literature, science, music, photography, or the fashion industry. Papers should discuss not only how this black female body is framed, but also how black women (and their allies) have sought to write/rite themselves back into these social discourses on their terms. It is my hope that this volume will create a dialogue with other outstanding volumes on the black female body.

If you are interested in being a part of this book, please forward to me an abstract by January 15, 2008. Entire papers will be due by September 1, 2008. You can send your abstract via email to ceh@udel.edu. Or you may send your abstract by landmail to:

Dr. Carol E. Henderson
Associate Professor of English and Black American Studies
212 Memorial Hall
University of Delaware
Newark, DE 19716.

Monday, October 15, 2007

Hip Hop Jam

We seek engaging and accessibly written essays for a proposed edited collection of close analyses of hip hop music. Tentatively titled, The Hip Hop Jam: Messages and Music, this collection examines hip hop music from multiple micro-level, up-close perspectives. We seek to help the music and its messages come alive one song at a time.

Each submitted essay should focus on one song by any artist in any hip hop musical genre. We welcome submissions from scholars across disciplines that apply their tools of interpretation, their ways of reading and listening, to the analysis of one song each.

Each close reading should examine lyrical and/or musical form and content in detail as well as consider how history, gender, sexuality, race, class, political, geographical, religious, and/or economic issues inform the song. Essays should be free of esoteric discipline-specific argot. Aim for an undergraduate readership. The goal is to illuminate what can be made of the rich complexity of hip hop music if one stops and takes the time to listen and to analyze.

Authors should submit an abstract of 250 words and a CV by December 15, 2007. The abstract should contain the author’s name, contact information, and the working title of the proposed analysis. Proposed manuscripts should be original work not concurrently submitted elsewhere. Only electronic submissions will be accepted. Accepted authors will be notified by January 31, 2008. Ten to twelve page MLA formatted manuscripts will be due on May 31, 2008.

Abstracts and inquiries should be forwarded to the Hip Hop Jam Editorial Board: Ebony Utley, Jordan Smith, Christina Zanfagna, and Loren Kajikawa at hiphopjam08@gmail.com.
Email: hiphopjam08@gmail.com
Quote of the Week

If I didn't define myself for myself, I would be crunched into other people's fantasies for me and eaten alive

Audre Lorde

Event of the Week
KU Press Release

Civil rights leader, congressman to receive Dole Leadership Prize

LAWRENCE — Legendary civil rights activist U.S. Rep. John Lewis, D-Ga., will receive this year’s Robert J. Dole Leadership Prize from the Dole Institute of Politics at the University of Kansas. Roll Call magazine has called Lewis “a genuine American hero and moral leader who commands widespread respect in the chamber.”

The program takes place at 7:30 p.m. Sunday, Oct. 21, at the Lied Center. Tickets are required but are free.
(click here for more info)

Goal of the Week:
Undergraduates!!!
It is time for midterms. Most of you have probably taken your exams and many of you are recovering from them as I type this message. Your challenge for this week is to make an appointment with 2 or more of your professors and discuss your progress. If you are having a rough time in class, this is the time address your strategy for the remainder of the semester. This is your second chance (should you need it) so take the initiative and be progressive.

Peace

Friday, October 05, 2007

KU Libraries receives grant to help fund jazz programs

LAWRENCE — The Thomas Gorton Music and Dance Library at the University of Kansas has received a grant from the National Endowment for the Humanities to present a series of six jazz programs in partnership with the Lawrence Public Library. All of the events are free and open to the public.

“Looking at Jazz: America’s Art Form” is a video-and-discussion program for libraries that examines the development of this uniquely American musical genre. Every Friday for six weeks, different jazz topics will be explored through documentaries and expert panel discussions. Faculty members from KU’s Interdisciplinary Jazz Studies Group will lead discussions following each film.

Dates and topics of discussion:

Oct. 5 — New Orleans and the Origins of Jazz
Oct. 12 — The Jazz Age and the Harlem Renaissance
Oct. 19 — Jazz Vocalists
Oct. 26 — The Swing Era
Nov. 2 — Jazz Innovators: From Bebop, to Hard Bop, to Cool and More
Nov. 9 — Latin Jazz and International Jazz

Each event will take place at 7 p.m. at the auditorium in the Lawrence Public Library, 707 Vermont St.

Recordings and other materials from the Gorton Music and Dance Library and the Sound Archive will be on display at each of the events. George Gibbs, head of the Gorton Music and Dance Library, said he hopes the programs will alert the public to the extensive jazz collections the library holds.

“We are incredibly fortunate to have one of the most comprehensive jazz archives in the Midwest right here at KU,” he said. “I hope that these programs will shed light on this amazing collection and on the art form itself.”

The programs will be presented by Re:New Media in collaboration with the American Library Association and Jazz at Lincoln Center, with major funding from the National Endowment for the Humanities. An application submitted by the KU Libraries brought the program to Lawrence.

The Gorton Music and Dance Library contains more than 111,000 scores, books, sound recordings, videos, microforms and serials. It has the leading music collection in the Great Plains region.

-30-

The University of Kansas is a major comprehensive research and teaching university. University Relations is the central public relations office for KU's Lawrence campus.

Oh, Lino Graglia...You Bitch!!!

I'm writing this in retrospect, and I don't feel very secure that I'll remember what I wanted to say well enough to express my disgust sufficiently enough, but I'll try.

Yesterday, 4 October 2007, Professor Lino Graglia from the University of Texas, a constitutional law professor, was invited to lecture on the horrors of Affirmative Action by the Federalist Society of the University of Kansas. That nigga is a bigot! I generally try to conserve such accusations for those who might be offended by such suggestions. Lino Graglia, perhaps, would not care about being labeled as such. Anywho, I wouldn't be fair if I didn't at least give a brief synopsis of his arguments:

"Affirmative Action...blacks...blacks...blacks...blacks...blacks...blacks...blacks...blacks...racial preference...blacks...blacks...blacks...Italians...blacks...blacks...blacks in the 12th grade at the level of 8th grade whites...blacks...blacks...blacks..."


If you haven't caught my first complaint, it's the abnormal fixation upon blacks. Gragley justified his obsession in the question and answer section by stating that "if it weren't for blacks (whining?) there would be no affirmative action." He then went on to say that Latinos and Asians merely jumped on the race preference bandwagon after schools began to develop programs for blacks.

Gragley's central argument was that blacks in the 12th grade, at some point in time, were only educated to an 8th grade level. Such an academic disparity did not warrant "racial preferences" because "race preference" programs merely placed inferior black students in Ivy League schools that they can't handle. At no point did Gragley suggest a solution for the root problem of academic disparities. In fact, if I recall, he actually suggested that there is no solution for such a racial disgrace. He instead supported the ending of affirmative action so that "blacks" can go to schools where they can compete.

End of his lecture!

Racial insensitivity aside, Graggs must be stupid if he thinks that everyone in the audience isn't at least minutely aware of the number of black youths who disproportionately suck at life. What astounded me, is that despite the glaring fact that white women have been the leading beneficiaries of affirmative action programs ever since they fanagled their way into being a minoritized group (which I'm not denying that they are, but white women need aff. act. in the workplace so much more than in undergraduate colleges, but that's a separate discussion), but he proceeded to bypass all other minority groups, saving his most scathing attacks for "blacks." (he NEVER mentioned white women.)

Furthermore, Graggila made it a point to first make an erroneous distinction between "race mixing" programs and diversity programs--as if by having a diversity of races, you don't automatically acquire diversity. And then, after making the distinction, he proceeded to attack the importance of diversity in general! (That man must have wet dreams of his experiences at CSU--Caucasia State University.)

I call Grag-gizzle a bigot because: 1) his unusual desire to lay all of the blame on "blacks" reveals an internal conflict between himself--as a white male--and black people in general. 2) The only possible explanation for why he would carry such opinions of affirmative action, while simultaneously declaring that the central cause of his objections is the academic disparity between the races, is a (perhaps subconscious) desire for racial self-preservation--the man is languishing in his own white privilege and white supremacy, the simple fact that he chose not to research the causes of black under-education but instead the birth pains of black over-education is evidence that his concern lies not with blacks, but with whites; his concern is not with education, but with race; he cares little for collective progress, and denies the potential for collective oppression (simply put, ivy league blacks threaten white privilege and superiority over time).

Attacking affirmative action is a defense mechanism that overprivileged whites develop to justify their privilege. Attacks on affirmative action that are based upon the failures of the American public (secondary) education system are merely a defense mechanism to support and maintain notions of white (academic) superiority. Attacking the scores of blacks in high schools--most of whom never make it to Universities, sadly--says nothing of the blacks in college. Such statistics have no place in College Affirmative Action discourse!

He disacknowledges claims that blacks deserve affirmative action if for no other reason than they weren't granted the right to an education by law at one time. (Alternately, blacks could deserve affirmative action because it generally will improve competition in white collar arenas (that is if whites were willing to hire highly educated blacks that are not conservative) but Graggle Rock apparently is not interested in competing with blacks--at least not on an equal footing. Also, one could argue that the reason for Groggles opinions is because when he was in school, he was drowning in a sea of white opinion. Perhaps, a little diversity would have saved him from the sin of ignorance. But he addresses none of these ideas either.)

One of the more frustrating discussions was about a timeline. Graggy Bear didn't even suggest timelines, the more moderate Federalist Society guy did. He asked "When are affirmative action programs supposed to end?" This is all I have to say on that matter: Blacks were not supposed to be legally treated as equals under the law from the first time black slaves walked on colonial American soil until the passing of the Civil Rights Act of 1964. No one has any right to discuss timelines until we get close to the same number of years. If actual equality is achieved--not just in law, but in society--there should be a discussion regarding the ongoing merits of affirmative action policies. Until then, shut your goddamn bigot mouth!

My greatest indictment of the whole concept is this: Why are school admissions programs a matter of law subject to the constitution? Education is not guaranteed by the constitution. If it was, no one would ever PAY to go to college, it would be completely subsidized/socialized. Since schools receive government funds, but are not government entities, I imagine that they should receive the same legal treatment as any other non-governmental BUSINESS that receives government aid. If the federal government can give billions to the airline industry without controlling basic hiring procedures, if the federal government can subsidize farmers without telling them what and when to plant, then why is the government sticking their greasy palms in my education. If a school wants to increase diversity, then let them do so. Don't ride the University of Michigan's dick just because they create a quota system that WORKS.

As an aside, I don't know a single white person that has a right to complain. Let's talk rhetoric: if a white person chooses to attack a school for creating a race-based affirmative action policy while simultaneously maintaining that "blacks" anything, they are rhetorically subjecting themselves to racial grouping as well. In that sense, we can talk raw numbers. Because he (or she) is white, and 70% or more of the college is white anyway, they have no complaint. If I am supposed to be grouped in with my black brothers and sisters whenever you make a flagrant generalization about my race, I too reserve the right to generalize about yours. And white people single-handedly dominate college campuses. So shut your trap and be glad that white supremacy still stands.

~Thank your lucky stars that Harvard, Yale, or Princeton doesn't decide to go entirely over to merit based admission. The moment the United States decides to suppress race admissions in favor of pure merits, I personally will make a movement to have minority students of excellence enroll in those schools. I will demand that they flood traditionally white Universities with brown faces until white students are the minority of the freshman...sophomore...junior...and someday Senior class. What could they do in a merit based system? They would have to let us in. Eliminate legacy programs, balance the financial aide programs, tame the athletics privileges, and BOOM! Be prepared to lose your much coveted spot to SUPERIOR minority academics.

But that would never happen. I just thought I might suggest the possibility. There's no way I could rally that many black, latino, and asian academics to a single school for four years. But if it were possible, if there was that much unity, I think affirmative action programs would be largely unnecessary. But there's not. And black people need a real reason to come to a school with a hostile racial environment. And yea, from what I hear, Ivy Leagues do not favor middle and lower class black youth. So suck it up white people, in the general sense, it's not so bad.

Oh, and Lino Graglia is a BITCH!!!!





And here's a general list of arguments from his lecture:

1. the only reason for race preference is because blacks underperform
2. the gaps (between the races) are too great to be ignored or overcome
3. the root (of the problem) is poor black academic performance
a. there is a 4 yr gap in reading and math between white and black students
4. the gap IS NOT decreasing--that is "pure fantasy"
5. without "preferences" the number of blacks (at ivy league schools?) would drop below 11%
6. instead of going to schools where they can compete, blacks go to schools where they are academically inferior
7. "Ethnic Studies" (was created) to (try to) prove white racism and conceal inferiority



And here's a link to one of his essays, ***warning, it is not for the egalitarian of heart***:

"The Affirmative Action Fraud"

Monday, October 01, 2007

Quote of the Week:
Just because a man lacks the use of his eyes doesn't mean he lacks vision.

--Stevie Wonder

Book of the Week:
Invisible Man by Ralph Ellison

Event of the Week:

"African-American Male/Latino Empowerment Summit" AALO
(How do you do you in Academia Successfully?)


Keynote addresses by Michael Eric Dyson and Joe Hernandez-Kolski